The Porn Star Protagonist In ‘Pleasure’ Is A Woman Of Amazing Conflicts –

This article contains spoilers for “fun”.

Often just a mention of a woman seeking to catapult herself into male dominated porn.The industry has provoked a lot of reactions “You understand, woman! And this is understandable, because a woman’s sex agent needs to be supported, and that is a natural right, as well as creating a safe place for to women to thrive in the sex industry.

So it makes sense that Bella Cherry (Sophia Capel), the 19-year-old writer and director of a porn star at Ninja Teiberg’s Pleasure Center, proudly signed her social media posts “#ProudSlut” and spent May with the caption “Girls Run Thanks. It’s flirty and proven at the same time – and it always is! All the time She knew what power she had to catch a man’s eye.

But when Tieberg takes Bella on a journey, we find out how the character learns to impose this power, as well as her spending on a business that serves more to amuse men. And he responded the hard way.

“Basically for me, it’s patriarchy to look through the eyes of a young woman,” Tiberg told HuffPost. “But it also applies to other inequalities and different hierarchies and classes of society. “After working on it for so long, I feel there are a lot of things I want to talk about or add to.”

Მ Exactly. In 2013 Tieberg gave us a short film with the same name and in 2018 he shot most of the drama. At the time, he had been researching the porn industry for more than 10 years, initially as a self -proclaimed “Porn activistBefore being taught feminist porn. So to say that “pleasure” is influenced by many different and sometimes mutually exclusive ideologies is not appreciated.

But that’s why it’s such an amazing and wonderful time. Bella plays the role of a porn icon who is conditioned and threatened by patriarchal standards. She is involved in an important moment in the film where Bella plays a hardcore sex scene, a scene she asked to do because she thinks it will take her to the next stage of her career and she eventually realizes how violent she is.

There is immediate confusion of thoughts on the brink of control and control in this space, as well as a more vague matter of choice. Another reason why Bella likes to do a rough sex scene is that she feels “obedient” to her appropriate role. But is it because he’s common to female performers if he legitimately wants it?

“I don’t think I can answer that question,” Tiberg replied. “I’m trying to create the same real person as everyone I’ve met [in the porn industry]. I think this is a difficult problem. Why are you doing what you do? For me, [it’s] Endless philosophical reading.

Enough. Bella’s motivation seems to be the sequence of events that follows, but especially this scene, shot on a day with two performers and a chapel, makes it an extraordinary screen debut. Bella has just arrived in Los Angeles from her native Sweden, where Tieberg and Capel also reign, and she wants to be a star.

And this, as many of us in all industries understand, can require sacrifices.

At one point, during a hardcore sex scene, Bella cries to stop filming, and it happens all of a sudden. But Bella went to another option when the men in charge told her not to pay her if she didn’t finish making the film. He does so reluctantly but firmly.

But it’s not because it’s a matter of financial necessity, Tiberg said, recognizing that she’s a privileged white woman who enjoys health. On the contrary, she was, first of all, an active participant in Bella’s capitalist society. “I don’t think it’s real money,” the director added. “When he’s gone through everything he’s been through and if he goes empty -handed, he feels like he’s defeated.”

And like Bella, a strong -willed teenager who wants to prove her worth, every experience requires her to move forward in one way or another. It could be the money, or the fact that he agrees and decides to stay, that gives him some leverage over what happened to him. But it also means it must suppress a more painful reality.

“It’s a way of not feeling like a victim,” Tiberg suggested. “Because he gets something from her. It’s something to think about when you feel … But I got something in return O [that] This is an option. It’s a job. I was just not used to and abused. ”

True, it can be fixed, but not unless you’re a technician who knows what he’s doing. However, Tiberger mentions that although he has never seen a scene like Bella’s, he knows the intricacies of “shadow” situations.

The way Bella handles, or rather refuses to process, what happens to her speaks volumes about her will, as well as the more complex images of feminism, sacrifice and salvation that Tieberg labored throughout film. After receiving no support from the male agent who created her along with the producers of this scene, Bella seems to have decided for herself the perceived fact that she needs to conform to a patriarchal thing in order to stand out in the industry.

For Tieberg, it’s the way to go from the more delicate images of surviving women we’re used to on screen, or even in real life. “We also tend to amplify the male gaze by constantly talking about women as vulnerable and overly focused on the victim aspect,” she said.

To be fair, Bella, as the star of “I Can Destroy,” is Michaela Coel’s brilliant series on sexual consent. She is a woman with different objections. He is both evil and criminal, victim and executioner. It uses exploitation at the same speed as its exploitation.

“Sometimes he’s a victim or at the bottom of some hierarchy, but sometimes he’s at the top as well,” Tiberg said.

A few moments of “pleasure” suggest that, as when Bella, after entering a rough sex scene, is talking to her boyfriend and fellow porn star Joyce (Revika Rostley). Joey confessed to her that she was worried about reuniting with a man on set who had harassed her before. When Joey told the director he wasn’t safe there with him, he turned to Bella for support. But Bella ignores the “joke” she made.

It was a disastrous time because, again, Bella had to make a very difficult choice. It was an opportunity for her to have an alliance with women in the industry, but at the moment she turned it down for her own success.

As Tieberg said, “profit governs unity or compassion”.

Embarrassingly, nothing is said. And it’s fun to see that a woman’s protagonist contains a whole series of conflicts, showing the full potential of her humanity. No matter how easy it is, it is still considered an anomaly on the screen.

“I think it’s very important that the hero you meet also shows that this kind of behavior has nothing to do with whether he’s good or bad,” Tiberg concludes. “It’s a system that creates that kind of behavior. And he’s a human being.”

“Pleasure” was released in limited theaters on May 13 and will expand on Friday.