Vimala Pons.

Balloons, bouquets, cars and motorcycles. You have to view Instagram’s Vimala Ponzs Instagram account and be surprised by what actress, Cherkez and director are able to lead her head. These subjects, he confiscated this in the context of artistic performances (in which César 2025 ceremony, where he presented himself with a giant skull cup). But MicadoBaya Cassmi, it is a whole family that his character bears. Two children and companion (Félix moati) that passes by DDSS, swearing without schools or apartments. A happy, consolidated family, allowing their desires, strange jobs, strange jobs or obstacles that will avoid roofs. Before the failure of the immoteration, a few days, a few days, the father of the Teacher (Ram Bedia), the father of the same age as their elder. And brings back the desires and stability of others.

How to develop from the external system, next to it. The question concerns Vimala Pony’s career, which, emergency cinematographic objects (The daughter of July 14, Vincent must die) in punk albums or modern art exhibitions (Large Or Denver’s perimeterCleans unexplored areas with Tsiihaka Harrivel with his accomplice. But if one of his last movies, Attachment: From Karine Taridyen, her bright fantasy and her freedom proudly saw that her development as its further plans (Keep the furnitureCatherine from Cosme and BombingFrom Sirars Bouano) We have stories and language, closer, closer, which we could have met. Natural evolution without rejection or regret.

Madame Figaro: What will you seduce you in history? Micado ?
Vimala Pons.- Director Baya Cassy, ​​who never ceases to seduce me for almost fifteen years, which we have worked together. I was very excited about this loyalty, I think that making movies gives friends a kind of love heartbeat. And every time I turned with Baya, I learned things about me

Which you have learned Micado ?
When you keep such a long relationship, it doesn’t matter if it’s friendship, love or cinematographic, even three, refusal is stronger. For example, my character, Lalitia, should have been very physically violent. Finally, it’s not badly deleted, but in the end there is this scene where I push Félix, saying that he is really ash. I have the look, just as I give up these violence, that Baya took me there. He knows that, mostly I’m so much more like this lunar image I sometimes connect me sometimes. It is also because people love you you can take on things that are not shiny sometimes. I don’t think the current profession is something that allows you to run away with scarecrow. For me, it’s more to dive for me to know yourself better and better and get more and more filters.

Micado It is a film that leaves a lot of space for children, and in the share of childhood that adult characters have them. What is your grant?
I’m not knowing about it at all. Each time I discover it through appearance we take on me. Inside I look like al pachino and outside like a little girl Ghosts and companyA number when you grow up, there is something that remains blocked by adolescence or childhood. Then we try to do what we can as an adult. I try to go beyond this section of childhood when it returns to constantly.

You live in Karavan, a little like their van characters. What do you like in this lifestyle?
I lived in a fixed caravan and in a ship I was going. This allows to see other landscapes through its windows. It was something that I liked me so much. Being in St. Martin in the Canal, Paris and seeing children’s swans … there is also a way of discomfort, which creates moments of crazy grace. I stayed in Karavan for a year and a half, and that was great. He was on the edge of the wood, passed horses, was galvanized.

Why did you then find a traditional settlement?
Because I had to have a work area at home. Despite everything, these settlements are quite small, but they demand a lot of time, repairs. Thanks to the boat, I learned about the engines, a lot. But I think it’s good to leave the party before it’s over before all negative points invaded her life. You should be able to be transformed into experience and moving forward by holding a nice memory.

Characters: Micado You wonder about living a “normal life”. What do these three words generate for you?
This is something I’ve always wanted to have because I grew up in India, in a fair abnormal universe, somehow. In any case, which wanted to be with the world, overloaded. I thank my parents every day, because it was also great, but it is true that I wanted to live a normal life with everyone, as well as on Christmas or December 31. This is a bit of what happens to the movie for children. To be on the flowers, they will no longer be able to communicate with others, no more common codes. It is very difficult to be against the society. I am frequent frequent meters, and it’s crazy energy to deploy. By my hand, I think we can be in the form of normality to be with others without necessarily eating the system. Even if it’s easy to say.

We often assimilate you to gently or marginal characters you are embodied. You find it right or that is a misunderstanding.
It’s pretty fair, I don’t know how to do it very well. In my first movies, I also had a pleasure to build a character who walked from the movie with a movie with the same hairstyle in some ways that are based on my real places. I also think that it is to offer strange, it is to offer other visions of the world. Then what interesting meetings with people who want to take you elsewhere?

Your current movies reflect. Something more “introduced”.
There is in this AnnexationEven if I embody someone living and fun. In one of my next movies Keep the furnitureThere is no fantasy from Catherine Space at all. It is very nice to develop. I think of Rami Bedia in MicadoWhich is almost more interesting in this role of a frightened father alone. It’s cliche, but it is true that people who have humor or comics will not have shoulders to be sad. Otherwise they collapse. In any case, I see that. I can’t afford to be nostalgic, otherwise it collapses.

Should not have no worries can’t wear something. Now you wear a lot of your current shows and movies. The theater’s troops A beautiful role widow Annexation … And even in the scene of César. For what?
I can’t present a passive woman I think we’ve seen enough. What he built at the cinema is strong women Thelma & Louise, Tomb Raider: Kill the bill.A number of César is almost easier for me to arrive in my head, so that the price will return the price and talk. Because I can just focus on offering this image. It is very difficult for me to arrive without anything.

Have you kept this giant emperor?
No, it belongs to Canal. Very bad, that was cool. But living with César, I think no one wants it. Except for maybe real, a little.

Another cliche. Cesar also represents a family, a French cinema. You have a sense of belonging to it.
I was quite often distant because I didn’t understand codes and frequent different environments, rather plastic art and music. I was on the panoplying, but to some extent marginalized, because my films were also in their nature as in terms of records. But two, three years, I have entered it very honest. And I’m very happy. It matches Vincent must die, With Karim Leklu. He shook me very much. When you shoot the movie I made my first depression. It was like the coach of the French team, he was dedicated to me. He registered me at the gym, he made me clear that we should not always have done more. I heard it, I found out something, and it did it very well. In particular, I arrived in all Fifteen 200s after Instagram, and my work became visible in the cinema.

Last question. If you had to wear only one and last thing to wear your head, what would you choose?
Elon Musk. Because often when I wear items or make them fall. Or I blow them up.