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En fanfare movie, Olivier Dubois show, Maud Ventura book…Madame Figaro Cultural Week

Movie, show, book. to watch and listen to this week’s editorial highlights.

Harmony of the heart

Music softens morals and, they say, warms hearts. The proverb could not be more appropriate than With a kissEmmanuel Kurkol’s new movie next victory, about the reconciling and saving power of music. The director imagines the meeting of an internationally recognized conductor and a trombonist in a northern brass band. They are brothers, but they did not grow up together. the first was adopted by a bourgeois family, the second by a foster family, but an accident in life brought them together. Despite the difference in culture and background, their love for music will allow them to create a unique brotherly bond. everything rings true in this wonderful film that evokes English The Full Monty and The. Virtuosos. Benjamin Laverne and Pierre Lottin, carrying the sincerity and authenticity of the writing, which never looks down on the characters, avoids any caricature, an obvious success that, without offense to the most cynical, captures our hearts. M.L.

With a kissBy Emmanuel Courcol, with Benjamin Lavergne, Pierre Lottin, Sarah Soucco, Jacques Bonafé, Clément Massart…

Holy coronation

Starring Marie-Agnes Gillot For Gods Only Coronation #3a piece by choreographer Olivier Dubois.
Julien Benhamou

Since its creation, which caused a scandal in 1913 at the Champs-Élysées Theater in Paris, by Nijinsky, The rite of spring is a legendary source of inspiration for many contemporary choreographers such as: Maurice Béjar, Pina Bausch, Sascha Waltz, Angeline Preljokai, Emmanuel Gat… gesture.” In 2012, he already offered the first part of his collection Rite(s) of Spring.In the Museum of Modern Art of Paris, second part 2014 My black favorite. Crowning #2which he created for Germaine Akoni, drawing his dance from the strength and depth of the African soul. For: For Gods Only Coronation #3it is a declaration of love that he offers to his co-star Marie-Agnes Gillot; “I see Diana the huntress without her hunt, I see Marilyn without her dress, Callas without her voice, the samurai without his battle honor. It is a shining star… it is a mythical beast that we revere and that tells the story of our times.” In front of a kind of temple made of wood and ropes, Marie-Agnes Gillot is the chosen one facing the ultimate sacrifice, she is a samurai, a force in motion, she captures the warrior imagination of medieval Japan to the music of Stravinsky and Stravinsky. Francois Cafen’s electro compositions for sacred dance, hypnotic trance, and the Chosen One becomes the Chosen One of our hearts. BB:

Only for the Gods, Holy No. 3, November 28 to December 7 at the Théâtre du Rond-Point in Paris, then on tour. theatredurondpoint.fr

Poisonous glory

famousauthor: Maud Ventura, Éditions L’Iconoclaste, 540 p., 21.90
Sp

She has written many novels and made tons of movies about fame and its value. But in general, we love the star, while we will quickly hate her in the daily life of the entertainment society and the world famous singer. Cleo Louvain encouraged to become famous the project. She ticks a lot of boxes (beauty, intelligence, beautiful voice, etc.) and she needs an equal amount of ambition, which now occupies social media. It is this zeitgeist that this novel brilliantly dissects is, featuring edgy and funny pages of genre mash-ups that blur the lines between intimacy and marketing.

“The more famous you are, the more you belong to them.” You are a refined product that belongs to the label that signed you, the team that manages your music and your life, the society that pursues you. Singing the same songs to the point of exhaustion, signing thousands of autographs, doing so many stupid selfies and interviews, with the same fake smile, until deathly boredom. You have to be cold-blooded to stand up for yourself. Cleo is pretty tough, calculating and selfish to get it. But the fear of failure, the neurotic octopus of our societies, directed towards profitability (henceforth itself), and its consequent dissatisfaction, which does not let go from childhood (every time he cuts the inside of his thighs for his mistake). part), they only increase. Even the sincere love of a famous but good man cannot save her. The rise and fall of the monster, with a scalpel. A compelling novel that puts ideas back in their place. IP:

Source: Le Figaro

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