Geraldine Nakashe. “I don’t tell everything to my mother anymore, I don’t open all the doors of the press.”

Before filming two series for platforms, the actress fulfilled her dream to answer one of her idols. In The course of lifeHe plays the manager of a film school with Agnes Jauy, who plays a famous screenwriter who is invited to a master class at the facility. Contemplating the transmission and ghosts of the past, the film also evokes the way in which life and cinema feed off and confront each other.

In the video, The course of life With Geraldine Nakache and Agnes Jaoui, the trailer

“When I started, Agnes Jauy was my inspiration”

My news?
A supporting role in a very nice film by Frederic Soucher, which allowed me to play opposite Agnes Jauy. He was my inspiration when I started…

The course of life does it resonate with my story?
These are the kind of films I would have liked to have seen when I was a film student, even if I didn’t last long on university benches; I was interning at Canal+ at the same time. But thanks to the inspiring teachers at that time, I realized that cinema is a window to the world, to life… The film also speaks to me as a screenwriter, because it tells how writing is made up of small sorrows.

My situation at the moment?
Tired but happy. I turn around FiascoThe Netflix series by Igor Gottesman, with Pierre Niney and François Civil, and I will continue to adapt the series. Children are kings By Delfina de Vigan, for Disney+. I play a police officer who is looking for a little girl who became a YouTube star under the influence of her mother, played by Doria Tillier.

“Speaking about myself, I’m sure I’m not betraying anyone’s thoughts”

Is it bad luck talking about myself in a promo?
I feel like it’s for everyone. But paradoxically, sometimes it’s also easier than talking about projects you didn’t initiate. Speaking of myself, I’m sure I’m not betraying anyone’s thoughts.

Wooden tongue or too loose?
I never say anything that puts me in danger, but I’m not one to keep a secret. Especially since today we give a lot on social networks. You just have to set your boundaries.

Do I reread or revise my interviews?
I avoid video in particular because I have issues with auto streaming.

A thread that makes me jump off my hinges.
No interview is worth getting angry about. But some things can annoy me. the obsession with my daughter’s name when I gave birth, the questions about Manu Paye when we were married, or “How’s she doing, Leila Bekhti?”, the project is not about… sometimes being offensive.

Allen Shabat taught me that you can say “I don’t know” or “this question bothers me”. It confused me

Geraldine Nakache

What do I think of the shot of myself in the mirror in the morning?
Nothing, because I reread my text, upside down. And then over time, I attribute it more to what my eyes are saying than to my wrinkles or the quality of my skin.

The questions I don’t answer.
They on my daughter or politics because I have no expertise, legitimacy. on the promotional tour of On Marsupillam Trail, while I was still trying to do well, Alain Shabat taught me that you can say “I don’t know” or “this question bothers me”. It confused me.

I lie in an interview.
No, but since I don’t tell my mother everything, you can imagine that I don’t open all the doors of the press.

“What’s happening today allows me to carry messages close to my heart and continue to entertain.”

Still the holy fire.
I hope so, because the film prints everything, including the lack of desire. But I’m lucky that what’s happening today allows me to both deliver messages close to my heart and continue to entertain.

My last pride?
When I was able to do my daughter’s African braid after chaining the tutorials. At the end of the 17th^e experiment, I did something passable.

life course By Frederic Soucher, with Agnes Jaoui, Jonathan Zacca… Released on May 10.