Cannes, France (AP) – The 75th Cannes Film Festival kicked off Tuesday with Russian War in Ukraine eyes And a live satellite video of Ukrainian President Volodymyr Zelensky inviting a new generation of filmmakers to face dictators when Charlie Chaplin removed the very satirical Adolf Hitler.
Following the tribute and musical number, Zelensky was broadcast live to a formally dressed audience that gathered for the premiere of Michel Hazanavicius ’zombie comedy“ Final Cut ”.
Zelensky, wearing his signature olive green shirt, evoked a standing ovation and spoke at length about the relationship between cinema and reality. He cited films like Francis Ford Coppola’s “Apocalypse Now” and Charlie Chaplin’s “The Great Dictator” as unlike the current situation in Ukraine.
Zelensky referred to Chaplin’s last speech as “The Great Dictator,” published in 1940, in the early days of World War II: “People will hate, dictators will die and the power they took from the people will return. People”.
“We need a new Chaplin that proves that cinema in our time is not quiet,” Zelensky said.
The Ukrainian president urged filmmakers not to “remain silent” until hundreds of people die in Ukraine, the biggest war in Europe since World War II, and to show that cinema is “always on the side of freedom “.
The war would be regular in Cannes, where the festival banned the participation of Russian government affiliates. Several films by well-known Ukrainian directors were screened, including Sergei Loznitsa’s documentary The Natural History of Destruction. Lithuanian director Mantas Kvedaravicius ’filming before his assassination in Mariupol in April also features his girlfriend, Hana Bilobrova.
“Final Cut”, the latest film by “artist” director Hazanavicius, was replaced by the original title, “Z”, after Ukrainian protesters noticed that the letter Z was a symbol for some in support of Russian war in Ukraine.
Formally dressed stars including Eva Longoria, Juliana Moore, Beren Bejo and “No Time for Death” star Lashanna Lynch were among those who slipped the famous Cannes red carpet on Tuesday. Most Stellar Premiere – “Top Gun: Maverick!” “Elvis!” – Wait for the next 12 days, where 21 films are competing for the festival’s prestigious main prize, the Golden Palm Branch.
But the opening and carefully crafted red carpet parade on Tuesday, leading to the Grand Théâtre Lumiére, has revived one of the biggest film competitions after a two -year pandemic that challenges high skin each year in cinemas.
“Dear friends, let us leave this darkness together,” said Virgin Efira, the host of the opening ceremony.
Since last year requiring regular COVID -19 tests and face masks in theaters – and no kissing on the red carpet – the skin has largely lost pandemic protocols. Masks are recommended indoors, but are rarely worn.
Cannes awarded the Palme d’Or to Forrest Whitaker, who received a standing ovation. Whitaker, who won Best Actor role at Cannes 34 years ago for his role as Charlie Parker in Clint Eastwood’s “The Bird,” said that as he climbed the stairs of the Festival Palace on Tuesday, he could still hear the singing of “Clint”! Clint! “Sounds to the ear. Eastwood is one of the few to receive the Palme d’Or.
Gender equality issues have long engulfed the Cannes Film Festival, where no more than five female directors took part in a palm contest and only two female directors won. On Monday, Fremo defended the festival saying only select films based on quality. Hall, who made his directorial debut last year on “Exit,” was asked what he thought of the disc’s skin.
“I believe it’s a work process.” I mean the whole film industry, not just the Cannes Film Festival, “Hall said.” The way to address these problems must also be considered. at the grassroots level. These are not just celebrations or public situations. It goes with all the nonsense of the whole industry. “
Farhadi, the Iranian Oscar-winning director, also spoke about current plagiarism for the first time in his previous film “Hero,” which won the Cannes Grand Prix last year. Farhad’s former film student Azadeh Masihzadeh, accused him of stealing the idea of the film from a 2018 documentary he shot in the studio that Farhad taught.
Speaking further, Farhadi said the “hero” was not based on the documentary.
“It’s based on the actual event, so the documentary and this film are based on an event that happened two years before the seminar,” Farhad said. “When an event is held and followed by the press, the public will know and you can do what you want with the event. You can write a story or make a movie about the event. You will find information about this event. The “hero” is just an interpretation of this event.
With pro-lore skins, the world’s largest and brightest temple for film, film, controversy and glamor, spin together with a 12-day red carpet preview show and a full cinematic deal on the cruise line. Theatrical production was a must of any film resisting for Palme, which prevented streaming services from playing a large role in Cannes.
But this year, one of the festival’s new partners, TikTok, raised an eyebrow. The festival hosts TikTok creators from around the world and organizes a separate competition for the best (very short) videos made within the festival. Cannes art director Thierry Fremo says TikTok is not the future of cinema.
“Cinema remains art par excellence,” Fremo said.
Source: Huffpost
