Carsten Höller’s slide is anchored directly in Miuccia Prada’s office. Visitors to the Luma Foundation in Arles have already seen one of these Site testing originally illustrated for the Turbine Hall at Tate Modern, London (2006). But getting him to leave the “big boss’s” office and land in the company yard is a form of black humor, not a threat. A huge red stable by Lucio Fontana, suggested by her husband Patrizio Bertelli. Alvar Aalto’s pale blue scepter double sculpture that looks like it came out of the Paimio spa, which the Finn turned into a temple of design in 1932. Gerhard Richter’s doors are like conceptual images. The rest is spacious and simple.
Little, petite Miuccia Prada comes in at a brisk pace. A clean trench, worn even inside the offices, a long black skirt and sweater, a chic uniform showing off her golden locks and vintage earrings. “All my work is between the strictness of the uniform and the expensiveness of the princess”
Source: Le Figaro
I am an experienced author and journalist with a passion for lifestyle journalism. I currently work for Buna Times, one of the leading news websites in the world. I specialize in writing stories about health, wellness, fashion, beauty, interior design, and more. My articles have been featured on major publications such as The Guardian and The Huffington Post.