If last January, during Fendi spring-summer 2022 couture, Kim Jones multiplied the effects (dystopian atmosphere, halo of smoke, church references and dizzying heels that made the girls hesitate), then this Thursday, still at the Palais Brongniart. , the artistic director is a supporter of certain cleanliness.
“This season I wanted to get away from the literal influence of Rome (The cradle of the house in the arms of the LVMH, editor’s note), place the city in a wider contextexplained the Brit the day before as he was setting up his collection. We explored the idea of scraps and scraps. Of course, bits and pieces of Kyoto, Paris and the Eternal City. When I was working Louis VuittonI discovered exceptional traditional silk producers in Japan who I worked with again this time. Fragments of memories too, because the spirit Karl: (Lagerfeld)floats on certain silhouettes like a conversation…
Source: Le Figaro
