The American, who was awarded at the Dovville Festival for his first film Water chroniclegave mastery on French films that count for him.
From all American directors, who were awarded on Saturday on September 12 in Deauville, he was the only gift. “Kristen Stewart” received stage for the “Revelation Award” for 51simmer DOVIL US Film Festival for his first film, Water chronicleThe award given by Jean-Pascal Zadi, chairman of a number of revelations, who stressed how much we will wait for his next achievements.
A few hours ago, the ambassador of the house entitled “My French Cinema”, in which he described in detail the actress but also a director. Classic, fundamental works in which he confesses to “see himself in the mirror”, which emphasizes his film (inexhaustible, he did not have time to approach the last two) BAIE DES FANCEES Aeration of Elevator for wood) Whether it seems to make it to the cinema.
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Real young girl (Catherine Brilat, 1975).
From Catherine Brillat’s film, Kristen Stewart maintains raw materials to show the connection with the body preserved in adolescence. A vision he chose to adopt as well Water chronicle It is adapted from the autobiographical novel Lydia Yuknavich, the film tells how a young female victim reconstructions through swimming and writes. “When you are young and find your body in everything that has more organic, you can do things that may seem like shame, and his word.
Pianist (Michael Haneke, 2001)
Isabel Hooper, an impacted and strong face in his trunk, crosses the mall, enters a sex shop and should wait for the cabin to be released. It is clear that it commented on the French star, which was celebrated by Kristen Stewart. “It’s one of my performances as actresses and my favorite new novel adaptations.
Véronique double life (Krzysztof kie.mownski, 1991)
From the history of these two women who do not know each other, but are as many twins, whose life seems to answer, Kristen Stewart has preserved his magnificent feeling.
Pont-Neuf lovers (Leos Carax, 1991)
Kristen Stewart chose the first French film, where Juliet Binache and Dennis Luhant ran, danced and stretched under the horsepuclative of the revolution. “I love the movies where people run,” says the actress and the director before the crazy love story of cinema. Like a similar symbol, we are never destroyed among us.
Hiroshima my love (Alain Reznais, 1959)
“I first saw this movie, I thought we should all stop making movies,” Kristen Stewart admits. Fortunately, the latter did not hold there. From the classic of Marguerite Duras, he maintains the unifying force, the one who allows us to ask, and his violence. The story of love between the two broken characters also marked.
Source: Le Figaro
