Interview – To return to the cinema I love youThe religious director has chosen to study the wonderful (and furtive) love story of Simone Signoret and Iv Montand.
Title I love youreferring Dead leaves, From Jacques Pretverert, Montand was named, this film revives the French cinema in the cover of Marina Foïs and Roschdi Zem.
Madame Figaro. A little The state of your mind.
Diane Kurdish. – I’m impatient. I never wanted to see one of my movies on the screens. Usually, it’s terrible worries of the first day, but I don’t know why I’m calm and I’m not afraid. This is the first time that happens to me.
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What made you describe a movie on a signatory-Montand couple?
It’s a fascinating couple. They have experienced an exceptional love story for thirty years. They were public figures, they respected their opinion. They represented a real myth and at the same time, it was a real couple, with its weaknesses, with its uncertainty, its betrayal, which likens them.
How does this love story inspire you?
Looks like a story I felt. And then love is a great mystery, isn’t it? How does he happen, why does he go? What makes you stay together or we stand out? What does love stays when passion disappeared?
What made you choose Marina Foïs and Roschdy Zem to embody this duo?
It was obvious. It was as if I saw them a beautiful day to prioritize real characters. Marina’s eyes, her mocking smile, walking, to talk, to talk, her energy … then Rochi’s intelligence, her charm, its elegance.
Do you still have a holy fire?
You can’t do this job without having a holy fire. By doing so, I tried experience, but the pleasure is intact.
The most difficult feeling of the film.
I have that you don’t feel, I imagine. Teaching, you must be at the moment, in the truth of the moment. Anyway we don’t know anything. We hope we try, we are looking for. Sometimes magic acts and sometimes no. Something happened in this movie that went to me.
Signot-Montand couple is like a story I felt
Director Diane Kurdish:
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Talks about the promotion of you, a snack.
I am lucky to tell you more about my films or my work.
The topic that brings you from your wards.
All that is sectarian. Intolerance, blind authority, stiffness, lack, poor faith, stupidity … not very original, isn’t it?
What do you want to say about you?
Always touches me so much when someone approaches me and tells me about a scene or a moment of one of my movies. I’m surprised every time I moved. Sharing something without knowing with a stranger … It should live that you make movies or write books, then understand that less feels less.
A misunderstanding of you.
I am probably the least well placed to answer this question. Heaps, I imagine.
What will your next movie talk about?
Love, always, only it is, I tell you …
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What makes you more proud of what you have done?
To continue. Always at the same wish, the same desire. The same naivety, maybe … But the same trust, the same energy.
What do you think looking in the mirror?
I don’t care much in front of mirrors.
What are you going to do after this interview?
Correct my phone.
“Whoever he loved you,” Diane Kurds, Marina Funes and Roskh Zem. 1st out ofunion October
Source: Le Figaro
