His new novel, In the heart of the nightHe studies the same room as the sensitivity, when the stabbet passes through three women through the trailing of their wife’s violence.
In In the heart of the nightNatacha Sushes of Natacha Sushes three trajectories in the weapons that their companion barbarism was destroyed or missed. Why do we kill his wife or former woman? How does love become cool? Where does the couple catch their gear and fear that women have men? For several Grand Prix D’Automne, including Goncourt, this structural work is spiral that plays life and nuance with life, or rather than a little light during the night. Interviewer:
Madame Figaro. When you first came to the idea of writing In the heart of the night ?
Nathaka Appan. When I learned about Davudon’s death in Merigon, not too far away from my house, because I lived in Bordio at that time. The trailing path that followed her husband, who came out of the car to make two bullets in their thighs, scattered with gasoline and fired him that he was pursuing his own history. My cousin, Emma, also fled to the woman, without success, and how about me, I also ran in 2000 from a man but to succeed. After that, I thought about how to make this gesture a literary material, while I realized that I had to search for this young girl that I had been … but from the intervention of these three stories that it would be first of all.
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What?
The murder of Davudy Davudi first took a lot in newspapers, radio and the media. That’s not until his tragedy did not come from the news. At the same time, I started making documents and archival work related to Emma and I realized that I was looking for information, as you asked questions. When I went to Emma’s mother and son in 2022, one year after the death of Chaviez, this silence and that absence appeared in concrete and terrible way. We remembered him before his marriage, but his mother, but the mother of her mother reviewed her death at night. In the heart of the night In three stages, like a book with three movements. I have been the immediate movement of Chavehi’s past movement and my inner movement towards me, I have been.
Would you say it was a question of resisting different types of silence, fear, shame, society?
As for me, I did not delete, nor did I forgot this for eight years. I just decided that what happened to me only belonged to me. I didn’t want to talk about it so that I couldn’t lose my parents, brother or the people’s shoulders I was going to meet after that. Or I even became this new one myself. I wanted to give me another opportunity. I wanted to find a whole existence without this hole without reshing. It was there, but I didn’t look. And it was from Chain and Emma that I had the resources to look. The literary book is a place of exploration, observation, nuance place, and I really have the impression that it is a text that is written on what I wrote before. In order for I really couldn’t consider himself in his structure, his spiral in his round trips, in his literary intentions, only because I have a dozen pounds, which gave me the necessary equipment.
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Why did you start your text imagining three men who pursued these three women together?
It was necessary for me to fulfill this three men, which I imagine in the same room, who speak, and those who speak. Those who speak, and those who speak, who are those who speak, Those who speak and those who speak and who are those who speak. I needed to restore my language, my mental and physical form, my energy. I first wrote the part that referred to me, then with this truth that I went to write the truth of others. It was like intersection in the dark. I wrote a night, but I also wrote from the night. I like to think that it is a book that is written in several scriptures, romantic writing, but also with perplexity, and failure. I have experienced the helplessness of the language in one year, which I have donated to this book. I also lived it during the trial of the Davudi murderer of China, which I attended in March 2025. But this helplessness was also in a strange way.
They say there are three ways to die. Biological method when your heart stops. Second, when no one says your name. And the third when no one remembers you
Natacha appanah
Was it also brought people to women who have been Emma and China?
I would like to say that they are alive to me, but they are not. They are dead. They say there are three ways to die. Biological method when your heart stops. Second, when no one says your name. And third when no one remembers you. Now I often accept Emma and Chainz names, and I often think about them that they were in their lives, while at first it was different. It was their death to follow me as they died. A little bit, they were released from this end and restored what they wanted to work, developing their children, this spiral, their forces and their ambitions.
Do you think that your book also responds to this question that we often hear? Why didn’t he turn out?
Why did he stay so long, or if he left, why did he return, what was my business with Emma and Chaines? In many reports of Grip, we are witnessing the journey of this tour. Sat’s case is such that we no longer know how to exist. It is very tiring, physically and psychologically, your body is exhausted, your mind is exhausted. And then there are often children, a house, this man who has this power over you and knows what his son’s work says etc.It is very difficult to leave, because these people are loved that there was something in order to implement a project to implement. Then when we leave, we find yourself in a life that is so different from what we fought. We have resisted, and suddenly we have to exist differently. It is better, of course, but differently, and it is not so simple.
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In the heart of the night Nathaka Appan: Ed. Gallimard, 284 pages, 21 euros.
Source: Le Figaro
