Interview – The dancer and choreographer opens the captain’s festival in the Court of honor of Palaya’s grandparents.
From his childhood to Cape Verde, he kept the taste of colors, the party, the carnival, crazy energy, which stimulated his revised vulgar figures GuinceSolo Expressist and CREKY, or Yellowish case 3:Ironic, jubilee and magnetic creation, which destroyed the boundaries between people, animals and car. MARLENE MONTEIRO FREITAS Fun and Terrible Shows Intertwine Theater, Dance, Music and Settings. At the invitation of Thiago Rodrigs, the director of the “Avigon” festival, the dancer, choreographer and the executor to open 79simmer Publication in the yard of Palais Des Papes No, Show free and perfectly inspired A thousand and one nightA number
Madame Figaro. – What was your response when you were offered a show to create a show in honor of Palaya’s grandfather?
Marlen Monteiro Frairas. – I was a little scared, a moment of fluctuation, then I realized that it was an opportunity, an opportunity and a real challenge. However, it is in my nature that confront of each difficulties of my work. When I discovered an honorary court, there was a lot of wind, it was very strange, the voices were very close, and sometimes too far away. Working outside requires real adjustment.
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As born around, around A thousand and one night.
When the director of the festival, Thiago Rodrig told me that Arabic was in the center of attention this year, I thought about the famous fairy tales, and the show of the show germine. I was returning to them and was marked by various influences. Persian, Arab, Indian … It is also the idea that I liked more than the book. I called my show Nominalwhich means “Night” in Cap-Verdien Creole because it dives into this space time that blows our bearings. The scenario will fill the hill between the hill and the riots, as lives are expected.
And what are there? A thousand and one night.
I started a preliminary story, the story of Shverazade, which would not be killed by her husband’s sultan, every night it announces the next day. In order to avoid death, he must constantly create. There are small fairy tales in large fairy tales. This idea of different scale is very interesting and resonates in context. We feel so small on the basis of this Honor Court. It’s in breaths, confrontation between the baby and the giant. Back to the text I don’t want to fully submit it. There will also be fictional words and songs. The idea is to educate new situations, other fantastic numbers.
Dance, too …
Of course, there are dancing parts and different types of music that will make this area vibrate and transform it into a memory loaded. The big challenge is the width of the scene. You should try to live in infinity while remaining very close to the public to create intimacy.
We must try to live with the discouragement of the Court of Honor, while remaining the public to create intimacy
Marlen Monteeo Frairitas
It’s your shelter night.
Yes, because it’s the moment of dreams.
Little, you tell you stories for sleeping.
Like many children. But I especially liked the street, my friends and neighbors. One of them had a teller. Sometimes there are power cuts on the island, we dipped in the dark. It was my favorite moment to listen.
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Small, you already want to dance?
When I was very young, there was a dance wallpaper in my room. My sister, who was older, was dancing, I was engaged in rhythmic gymnastics. At the time my desires for the physicalness of my desires to express my way, the desires of the movement, but I also loved nature on the sea on the street. My first dance desire came later, you hear Isla BonitaFrom Madonna. With my best friend we repeated a small choreographer on Terrace before you dance on the street. It was fun, but we applauded, perhaps for our courage. It made us want to continue other music, none, hip-hop … We danced where we were invited.
Create a show, helps to understand the world and dialogue with the public. We learn a lot from the other
Marlen Monteeo Frairitas
And has it become a profession?
Never in Cape Verde. It became more professional when I went to the study dance in Portugal and éCole in Brussels. My studies parallel, I started putting shows. It was a way of my thoughts to share my universe with the public. Create a show, helps to understand the world and dialogue with the public, which allows us to express our ads, our fears. We learn a lot from the other. This exchange allows you to build imagination and continue.
Can show even help us live?
I think but I don’t show off messages. I suggest traces, and I would like everyone to draw it from it, which makes them personally touches. I also need music, images, readings, myself to feed myself.
You travel a lot. What do you like in France?
Relationships with the public. France is the place where I have worked most of my teaching. This country gave me strength to believe I could dance my job. And then there are many different landscapes in this country, and in Paris, the city is crazy. When I got here, I felt it had to walk faster, move faster. And since then, I have been progressive.
“Note” from July 5 to 11 at the Aviaino Festival. Foctatyavignon.com
Source: Le Figaro
