Jean-Michel Oronil.

His signature. Glass, a substance that allows it to play with light, transparency and colors. That is evidence Noctambules kiosk, Among the pearls exploded in the Propheton, which celebrate the Metro’s Palayis Royal-Mouse, Louvre, in Paris, twenty-five years. Like this masterpiece, sculptor’s ambition is the eternal search for beauty. The concept as subjective as they claim. He in Cannes he disperses his Star powder. In Aurinhon, he brings Universe and Poetry of the Payer.

Madame Figaro. – Do you care special to your exhibition titles? Why did you give it? The powder of the star.
Jean-Michel Oronil. – This is a fee for gold, this ore I used to make in my many works. It is a substance from stars and, in particular, two overcrowding collision. This influence through space has pushed millions of tons of star gold, several fragments of which have reached our world, the continents and its seas. Because I have these golden pieces to the leaf on the forehead of Malmison and Boulevard de La Crossit, in Cannes, next to Pala, I have a cinema.

We remember one of your exhibitions The small ass skin theater. Jacques Demi’s films are a source of inspiration.
His universe touches me because poetic and happy. It conveys magic or again a message message that seems to me ever. Donkey’s skin It’s the first movie I saw as a child. Like many, I was shocked. But apart from the fact that he became classic for his music, his scenario, actors, or his colors, he is also important because he was shot after the events of May 1968.

What is what you would like to convey in turn?
Even if it means naive, I am looking for beauty through all my work. In Idiot, Dostoevsky wrote: “Beauty will save the world.” I have discovered power over the years. Beauty should surprise you and complete both of you. It is an abstract concept that escapes from reason. It allows you to arrive in a state of contemplation and internal resources. For me, it must be radical and at the same time known. For example, everyone agrees to find a beautiful sunset. When I work, I’m also looking for this moment, which will allow me to contact a large audience, staying for razor threads, glass, which allows you to express a feeling of fragility.

Is it true that in 1992, Sicily a trip to the wind islands would make you a glass to work?
Yes, in particular, the Island of Vulkano, which is known for its volcanic activities. When I returned from Arspelago, I went to CIRVA (International Center for Glass Research and Plastic Art, Editorial Record), In Marseille. Closer to the glass flaps, I realized that this job requires learning life. It takes twenty-five years to become a master’s glass worker. Forms to breathe when I imagine them, I need virtuosis I will search all over the world. And since I reveal Cannes, during the festival, know that the islands of the wind are known because Roberto Rosetsi turned over there. Stromol ? Today, it remains a plate on the front of the house where actress Ingrid Bergman was sleeping.

You are more popular as sculptor, but the picture seems important in your process …
It all starts with him no matter what. I need to keep my hand if I dare to say, because I am very present in the seminar, I don’t blow my jobs.

How did you imagine the progress of the exhibition?
I allow myself to be guided by the place. Malmison is in front of the Mediterranean Sea and the dialogue landscape. So there is an overcrowded sky and the bright sea, two bruises from the other. I place installation on a Villa scale to bring this gray blue in. On the first floor, I paved the bottom of the blue brick to bring a quiet sea before which I put the work. And above there are fountains that are accompanied by pictures, models, pictures, gold in gold. A golden alphabet in landscape.

You work at the same time in the ten places of Avinhon. This is the calendar match.
Generally the events are connected. Moreover, the most obvious thread is the title, which unites all the senior exhibitions, Othoniel cosmos or ghosts of love. It is always this interstal environment, stars, gold and other State Poetry. I imagined a course that occurs like a constellation around the Palanese Grandpa. I rank fifteen rooms of this gothic building, some of which measure 19 meters high. We need to present the challenge – 240, including 160 unpublished in France, at least ten places in the city, while making an impression that it is one and the same exhibition. Sculptures will be placed on the hoist stage where Kerolin Carlson and Hugo Martand will dance 1^union And August 2. It’s a great way to enchant the city, from which the key has been given, or rather three keys, as mentioned on Aviason’s coat of arms.
Stars powder, From May 17 to January 4, 2026 in Cannes; Othoniel cosmos or ghosts of love, From June 28 to January 4, 2026, in Aurignon.