Interview – In his new- man-show, Sex, fur and rocking chair, In the winter circus, in Paris, he met three generations with humor.
After 2016 and 2020, Alex Lucia returns to a new one-to———–FO after stopping. Sex, fur and rocking chairAccompanied by one of his horses under Marcuk, he was surprised in Paris about his father’s time (which he lost two years ago) on his generation, which is also far more. And all this. And all this. And all this is obviously subject to laugh, “he said. Parallel, he finishes TiesHis fourth film, as director, is adapted from Nicolas Matiu’s novel in the cinema and moves Melanie’s Thierry and Basten Bullon.
MEDIME FIGARO A number – What made you piss back?
Alex Luts. – The scene generates a lot of relations with the public and provides something as an actor or artist. It is very emotional, just physical, metric, performance … it brings many things you don’t always find in the cinema.
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What is the rock in your eyes?
In fact, it’s quite exciting. We can no longer be a rock like our parents, which were marked by a painful, traumatic past and kissed the post-war period in a completely crazy way. We can’t say “ROH, it’s ok.” All the time. I belong to a shocked, thinking generation, more extinguished than next, again very active. Whether we agree or not if we find it exaggerated or not, whatever, young people have responsible. Put these three universe with the shock I’m interested in, touches me and entertain me.
What did you do more rock?
Just not too much. I have written an outline that I have never painted a group leader Death metal Who decorated his snack wax box, he asked us to process his shoes before we log in and point out that the place is untreated. Era reminds me a little about this atmosphere. There are no more real shocks in this society, which are managed prudent, where everything is calculated, it is analyzed where we bite the door, and in which everyone is doing something …
Who do you want people to laugh?
Who, a preliminary, pleasant, or someone who scatters with stress. If I can laugh for a person next to a person, or one evening, or the treasure, who is dragging his day to hell it makes me feel good. It requires being observed, and I like it, because it can still change the color of a day. It’s one of the only things worth it in our existence, reconcile. And it’s quite magical, laughter can be the beginning of everything.
The scene offers a great relationship with the public that we don’t always find in the cinema
Alex Lutz:
Through your previous shows you have won two moligers, prices in your eyes count.
Yes, good points are counting because I wasn’t a wonderful student, so I see them as encouraging these works. They remind me that my work has been appreciated. My two moles that are odd the same size are placed next to my fireplace next to my emission (The best actor for his cinema boy in 2019, editor’s note), and a whole small market.
What made you adjust to Ties Nicola Mathieu’s novel in the cinema.
I was touched by the portrait of this couple in this social background, so hard it turns off, but today is this woman. This little girl who read Jane Austen was not the most in the school’s mind, and who, with diplomas, they want to desire for desire to desire, return to her childhood. That’s why I’m interested in how much it hurts my heart. I think you have to write to women’s portraits, and it’s great, because we have made great progress in this issue.
What are women’s figures that inspire you?
Many are there. Authors such as Annie Ernaux or Françoise Sagan, incredible singers such as Juliet Armani or Clara Lucian, my friend Audri Lam, who is a great actress or a stable director. I guess women need to direct everything. The rooster struggles that we are witnessing the news, we have only one wish that women are lagging and say that “they don’t say heads.” What is this story? “No one has mentioned in the Oval office when the other is launched” you are dressed like a bag “, there is a woman there.
The scene, the cinema, the scrap, the mixture, you like to mix the families of the actors …
Yes, I like to find family faces, but also open the circle. I love the genres of mixture, seeing Pina Bausch dancer, for example, TV presenter, because we are really very close. I first attended Detective This year, and it was great to repeat my choreography with Lori, Alain Chamf and Solar. It is very happy with this challenge, bring so many painters and realize that we are all doing the same thing in this place. The most difficult of all. Jean-Louis Abert. Proof that it still exists.
“Sex, carpet and rocking chair“ Director: Tom Dingler, until April 27 in Paris Winter Kiropa. Cirquedhiver.com:
Source: Le Figaro
