Continuing her project to save her discography, Eva Aillon has released a new version of “Traces”, a record that made a real “boom” when it was recorded in 1987, and whose “hits” after 35 years are still part of the singer’s repertoire. Thanks to new recording technologies, songs like the one that gives the name of the disc, in addition to “that we are loversand “Our Secret” hit cyberspace with their modernized sound.
Huellas was a production that people really appreciated, in which I collaborated with maestro Oscar Cavero. The main themes were written by José Escajadillo, a fashionable composer at the time,” recalls Eva, announcing her ninth reissue. .
“We played a lot of gigs, sold a lot of records… They always treated me with such love and tenderness. I don’t say much, but yes: I am a prophet in my country. I can’t complain, I didn’t have to travel much abroad, I am happy and grateful to God, life, my people and my country,” she says.
“That we are lovers”, also by Escadillo, has its own story. “With this theme, I won second place at the Ancona Festival (1980). That’s what I tell my boys when I see them get frustrated: it’s a race, like all of them, where you have to learn a little and move forward. little by little… “That we’re lovers” is proof of perseverance as long as today’s sun is still with me,” he says. Eva Aillon.
The Latin Grammy Award for Musical Excellence (2019) winner recalls that domestic artists had more shows in the 1980s. Even, “Traces”, the album had a TV special.
“We made special programs and broadcast them on some TV channel, it was not easier times, but yes, people consumed more of our material, because we were more relevant, we were heard and seen more. There were more TV and radio programs. It was the best time for me,” he dreams.
HIS BEGINNING AS A BALLADIST
few know that Eva Aillon He began to sing ballads. His fondness for this rhythm is reflected in his choice of theme for this album “Since I saw you” Written by Alejandro Jaén, one of the greatest composers of the ballad in Spanish.
As with “Huellas”, whose original rhythm was also a ballad, Eva moved the song from Jaén to a waltz rhythm. “I always sang ballads and boleros, and then I devoted myself entirely to Creole music,” he says.
Also part of the “set list” is the song “I am bread, I am world, I am more”from Piero. “Recording this song was a promise I made to Mercedes Sosa and I recorded it in black music. When I met Piero, he thanked me. Mercedes also listened and told me that she liked it. So this version worked for me,” Aillon recalls.
Songs such as “Never Miss Me” (Miguel Correa), “Morena” (Alcides Carreño), “Amor iluso” (Felipe Pinglo), “Mi compadre Nicolás” (Porfirio Vasquez), “Last Wish” (Daniel ” Kiri” Escobar). “El Capuli” (Nikanor Casas), “El Manantial” (Felix Blanco), “Without Your Love” (Victor Correa), “Maria Azul” (Carmina Cannavino), “The Pigeon Goes Away” (Filomeno Ormegno), “Night of Criolla” (Cesar Miró) and “Dale a la Mocita” (Nicholas Wetzel – Amparo Baluarte/Eduardo Márquez) also make up “Huellas, Eve’s Version”.
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Source: RPP
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