Interview – Magnetic actress and shadow artist, inspired by spiritual spirit, gives her voice to a shocking documentary, has the right to For what? Shoah faces, Director, Jean-Marie Montal and Stefan Krausz.
This film is returning what Primo Levi called the “Shame of the World”, depicting everyday life in concentration campaigns. The documentary is leaving for the 80th anniversary of the OSVENS.
MEDIME FIGARO A number – my news.
Charlotte Rampling. A little I am the story of the movie For what? Shoe facesA number of Shoah is more than 6 million dead, faces. In this film, the survivors remember everything, humiliation, cold, hunger, fear and death about their loved ones. These are the last one to feel about what happened. No we don’t move. In history, you have to return again and again. The human brain requires a repetition exercise to develop the size of this drama. This is the condition so that it does not happen again. We still have a lot to learn from Shoah and inhumanity, which is part of mankind.
What is the point of view of this documentary?
Most Shoah’s movies found out they understood “How”? That has happened. Its feature is to wonder “Why?” That has happened. This is the innocent question that a child could ask. He deserves reflection and answers. This documentary tries to do, emphasizing the determination of survivors to convey their testimony to future generations.
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My personality.
I have always been in danger at the cinema as in life. Providing the sound of this documentary was a way to continue this exercise, as this tragedy touches me deeply. He is not accidentally written as an actress in my journey. He releases my inner pain. Both movies that falsified my career Night executionerFrom Liliana Kavan, and DamnLucino Wisconte. Both are focused on the horrors of Nazism, and both the lines were moving.
How does this work resonate with the condition of my moment?
The last consumer film I made LipWhere my face is hidden and I am not seen in this documentary either. The disappearance, I believe that the peak of my journey. My inner forces have always been expressed through the cinema. At first it was through my face, which was photogenic. Today the vector is my voice.
Talking about me to stimulate.
Highlighting the topic, so huge that this documentary is treated during assimilation. But that’s not complicated. I have real exchanges with reporters. These are people who are looking for information, which is very important. And then we are nothing without the mirror of the other.
We are nothing without the mirror of the other
Charlotte Rampling:
I have an interview uniform.
A woman recently told me that my minimalism told about painting White square on a white backgroundKasimir from Maleviti, which smiled me. It is true that I want to get rid of uniforms. I want to get out of the representation to the more priority truth.
My mental accusation moment.
Loads are multiple with me. They go with my evolution. I’ve always been interested in myself. Sometimes I’m depressed, others in exaltation. But I’m more and more aware I can manage my mental payments.
Still firing.
Yes, I feel like a journey of artists that inspire me. Right now I think of the late David Lynch with which I had deep exchanges. His universe is plentiful, because he does not erase human paradoxes and anxiety that eats us. It allows us to accept without judgment and ask us. “What can I do with it?” It is also the key to this Shoah documentary.
For what? Shoe facesDocumentary film of Jean-Marie Montal and Stefan Kraus from January 30, 2025.
Source: Le Figaro
