Coralie frageat. “The standards of beauty imposed on women can force us to be hated ourselves”

Then Revenge Coralie Fargaat returns in 2018 Material: An American actress Demi Moore and Margaret Hallie’s feature film, among others. Gore and violent, the film condemns the Diktats of Beauty, which the society forces women, 50 years later. He was awarded the Screenplay Prize at the Cannes Film Festival, he is on the list of the most serious rivals of “Oscars” on March 3 in Los Angeles. In addition to the Demi Moore’s Commentary (already melted by the Grammy Award), the film competes for the best movie cups, the best scenario, the best make-up and hairstyle. If he wins the latter, Corala Coultas, the only woman in this category (only ninth of the ceremony of 97 years) can enter a story. Meeting.

Madame Figaro. – Material It is a horror film of great violence that reflects the violence on women. How did this idea come and the desire to bring it to the screen?
Coralie Fargeat. A little Material It’s a movie whose theme has lived in me since he was a child. I really wanted to approach the gravity of the weight of the beauty standards of women imposed by women. How can this pressure force us to hate us and train big violence? When I passed quarantine’s course, hyperpyoosar thoughts, according to which I was no longer used for anything, and no one cared for me. I wanted to disappear completely.

Thus, I took a step from the absurd of these thoughts, which, unfortunately, were very real from an emotional point of view, and I appreciated that it was time for me to do this topic, movies. The goal was “untreated” to all these criteria, these dictators and this non-governmental organization that still suffered strongly, where they are imposed on them.

In our society, women cannot be artificially as artificially as in the film. What to do for you have you found a solution?
CF .- Indeed, women in our society cannot be at age, nor do they try to be artificially young. No matter what they do, they will be judged, he is criticized, commented. It never matches. The purpose of this film was really to say. “Stop that with all that.” Let’s be free as we want to solve ourselves as we want to be natural, if we want us to be a desire and freedom to use our appearance according to our will and anymore expectations. the norms imposed on us on pressure.

But we are very far from this freedom. Being completely free, which is planned in the public area, is almost impossible to mission. Message Material And the final scene must say. All people involved in the final scene present this society, which, whatever you do, is never satisfied.

I was very surprised and asked when I knew that the Moore of Demi responded positively to the scenario

How did you work with Demi Moore? How did you choose it? What was the hardest thing about shooting with him?
CF .- From the beginning of writing, I knew that the assimilation would be a real challenge, and that I was going to delete the refusals, as I absolutely wanted to work with the iconic actress. It was for me the best way to symbolize the story. But I knew that it means that the actress to resist her worst phobia. When the name of Demi Moore was mentioned, I thought it was a great idea, while saying that he was never ready to participate in the picture of this type of film. So I was very surprised and asked when I knew he had responded positively to the scenario. Therefore, we took all the time to discuss the top. It was very important for me to explain the film and manifestations of the film. Middle, violence, nudity, etc. I should be sure that he wants to throw this project to make it once we can use once in a fruitful manner. These preliminary conversations were signed by our agreement. The fact that the project is resonated at home, as it was hot at home. I think these are things we both have different.

On the other hand, I really needed to detail half a soot, which would be day by day. It was a long shot that lasted more than 100 days because there was a lot of prosthesis. It was involved in Demi Moore for a few hours to wait for the makeup. What is the most pleasant part for the actor or actress? In addition, the conditions of shooting were not huge amid production through which it could be used. We were shooting in France, so we had a fairly reduced team. I should be sure that he was ready to play the game from this point of view. As for the nudity, it was very important for me to explain to each plan of the film to understand it and those present in their sensitivity.

During our discussions, I read his memoirs, I found that the Moore of Demi finally was a very “rock”. He was an avant-garde and feminist before. It’s his personality’s face I didn’t know, but who convinced me about his ability to take risks and the opportunity. When we finally started, the foundations were simple and healthy, which allowed us to cross all stages of fire. Easy, hard, tedious moments, etc. Today I think we are both very proud of the result.

Violence and often against them are used to use it. We can see it in the movie, they always apply to them. How to translate this hatred of us from which it is difficult to separate.
CF .- This hatred we are guided by the development of us is the heart of the film, and it is the biggest violence. This is this one, more that I wanted to symbolize the screen with this whole excess, which, unfortunately, is not surplus. It really represents the level of violence and its own – all these Diktats are guided to make us feel. The purpose of the film must also say that it is almost impossible to get out of this hatred at the individual level, to achieve general acceptance, as the impact of society is extremely important. We are not fighting equal weapons.

No one is clear and reflected for me. “On 50, for you, it will end.” No one was saying me so clearly. But around me I no longer see any representation of women over 50 years old. They disappear from the presentation of television news, the presentation of magazines and movies, except for the slight roles. Unconsciously, my brain integrates the idea that this age has passed, we no longer want, we disappear. A struggle that is almost impossible. This is why I believe that a real systemic change is needed that the whole society must change in its behavior and its representations. The change should be radical, because if not, it is impossible to succeed against a single system. We can soften some things, say, consciously, we should not think about this or that we should love each other more. But, unfortunately, what we inside us continues, and we have grown up with it.