Interview – The actress is surprising Attachment: The film is all nuances by Carine Tardieu, who offers him one of his most beautiful roles.
Three years ago Carine Tardieu was owned by Fanid, September, in love and independent Young loversA number of this is Valeria, Brun’s Tedes, who is benefiting today from the free look of the director of the women, in AnnexationA number of French-Italian actress embodies the fifties, without the appendix, who connect against all disagreements (Pio Marmaï, all restrained) and its children.
Their mother is dead and without ever trying to replace her, this free woman will take a special place in this family’s life. Infinite delicacy, completely unspoken and intelligent, this solar drama allows her actress to study new areas, avoid archetyps, a smile, a well-combined word. He is overwhelming.
“Data-cript =” https://static.lefigaro.fr/widget-ttl/vide/index.js “>
Madame Figaro. A little Have you read Intimacy Alice Ferney’s novel, the film of which is convenient.
Valeria Brun’s Tedeschi. – I read for being absorbed during the shooting, but Karin is far from it, especially in the second part of the film. I preferred to focus on the script and a bond between my character and me. The place he has in society is familiar to me. I had my daughter at the age of 45, and I know to look single women without children. Guilty look. Becoming a parent should not be an instruction. When I became a mother, it was an intimate choice that only used to me. I felt the feeling that caring about someone else would be happy and would give more meanings to my life.
Your character has a fierce need for independence. Is it suitable for you?
He is more free than me. He assumes only the fact of dealing with him. He has so much wisdom that his life is enough for him. Somehow I’m jealous of that, and that’s what motivated me to embody it. I have recognized me in the instinct of his survival, as he tied a peel so that he could not suffer. Were the periods of my life when I was like that. For my character, I developed it through details. His glasses. They are like the protective screen, the emotions against his emotions, but also the symbol of the world’s location. It’s a woman who has decided on her surroundings as her job as a feminist. When he removes his glasses, on the other hand, hugging or kiss, he allows you to go … that I may have played a little bit about the collection.
About this
I had to access the accessory, but Karine helped me dose. I worked a lot about this role with him that came out of my comfort zone. Even I felt like an obstacle. At that time I wouldn’t always go happy, even frankly disappointed. But he kept needed with admirable peace, was not impressed with my rebellion. Maybe I was afraid to go where I’m not used to it but I’m done following it. Because it was his film and that he was right in the whole line. I am sorry I didn’t understand immediately.
For me it is real feminism. To move the look to tell other experiences of life, not see the actress’s age as an obstacle
Valeria Brun’s Tedeschi
Your character treats children equal …
Exactly, and that is what I admire at home, the fact that he doesn’t like this baby. I can be more flooded when I believe that Françoise Dolto is not the right way to be with the children. Sandra never strives to replace the dead mother. That’s why this 5-year-old girl goes to her because she doesn’t feel like betraying her mother. My character does not seek to gain his love or his father. He does not make any feelings, not afraid of other women, no loneliness or other glance. Also, when he loves and loves, it is clean, deep, honest.
Carine Tardieu offers you one of your most beautiful roles for your 60th anniversary …
He is interested in the fact that cinema has largely set aside. For me it is true feminism. To move the glance, to tell another life experience, not to do the actress as a barrier. I had the opportunity to shoot with many directors who have this approach. Undoubtedly, that’s why I never frightened to decrease offers before age.
It is not very common in trade …
People grow old and exist for 60 years. When I never embodied the temple’s archetype, I never told myself that the roles would disappear after you pass. I have never hesitated to search or have age in movies. Maybe share the spelling … another job.
There were periods in my life where I had to stab to stab enough to not suffer
Valeria Brun’s Tedeschi
Exactly, do you make another movie?
Yes, I am writing a year, and I hope I will be able to shoot at home, Turin and Italian. I played a lot for others. Interliness The art of joy, My friend Valeria Golino, who was published in the Italian cinema in two parts of the cinema, is still unprecedented in France. I also comment on Pirandelo’s wife Eterno visionario, Michelle Placido and Eleonora Deire, a wonderful modern actress of Sarah Bernard TattooA kiopic produced by Pietro Marcelo. By the way, the role of older women from me … I also make an external look Dog 51, Cédric Jimenez’s fantastic science film. I like to make small participants. It is a way to sow seeds, take the temperature with filmmakers.
Attachment: By Carine Tardieu, Valeria Bruni Tedes, Pio Marmar … He was published on February 19.
Source: Le Figaro
