Vincent Dedien. “I’m not fully full of my adolescence room”

Thirty seven years again for several days, this actor, author, director and humorist have crazy talent. He has just finished the tourOne gala evening (Molière de L’Humor 2022), and here he is on the planks again, the challenge of playing two shows in a row, Nothing happened to me, only one-to-scene and The end of the world Collective pieces, all signed Jean-Luk Lagarsen (1), disappeared thirty years ago.

Madame Figaro. – What is the genesis of this project?
Vincent Dedien. – When Johanny Bert suggested playing The end of the world I read the room I know very well. I told myself: His reverse Sheet (2) where he tells everything on the pages on a hardworking path.

This piece, how do you summarize it?
He is a 34-year-old man who visits his family, somewhere in France, to tell them that he will die. He comes to say goodbye. Besides, the room was to be called Farewell. He will leave without saying anything.

You say that Sheet Fill in the room gaps …
It’s a bit like the moon’s side. On the one hand, this play, where the image says nothing, on the other hand, in the diary where the author absolutely says everything. This is the principle of the diary, of course, but Lags pushes the exercise too far. He has a feeling, from an early age to read his newspaper. It’s for the reader and having fun with the idea of ​​generations. He begins to keep it on 20. He plans what he will become young, young, the young death so that it will not be successful in his life, and even after his death, he will become worship. It also pursues what will become from France, Europe … This eternity is unbelievable about Labgs.

Is Sheet It has twenty three laptops. How did you start choosing the extracts?
I took what I’d rather. It’s my best. Is Sheet Submitting 800 pages twice, so I followed my way, which is both sensitive, sensible and fun.

What way?
There are many possible ways. He lived thirty-eight years old. Is Sheet matches the eighteen years of his life. He speaks of theater and writing all his stories, his work as a director, he sees the films he sees, his sentimental, family, family, family stories, gender, life, the general context of time. I took off the theater to talk to everyone.

You have kept the disease?
I certainly kept the disease. It is the story of the young man’s story, which grew up in the regions, Beschon, took place in the 1980s in Paris and died of AIDS.

You are passionate in intimate newspapers, Hervei Girbert, which you have already worn on stage …
Roland Barthes also Mourning magazinewhich he keeps after his mother’s death, Louis Calaftere, The park is closed … I find it wonderful to discover, the work of someone in parallel, their daily routine. Accumulation of small notes, small things, ends to form an autobiography.

You will play one of two rooms after another, at 7 o’clock and 9. A feat?
I have never done that. It made me want to. Nor is it reverest with bare hands. Jean-Luk Lagarsen says in himself Sheet That the ladder is when sick gives it as effective as with bare hands.

Is it the author who built you because it was the case of Herve Giri?
GUIBERT was a huge in my life. He surpassed everything, he broke everything. Lagarce, a little less. In addition to item SheetHe only wrote a theater. In fact, Lagarags is a language. Almost motherly language. A language that improves at the same time, as it is said, which strives to become more and more accurate, more and more fair … language that keeps all the mistakes.

This corresponds to the style figure, the epaando …
I think it looks like a skin disease. Yes, that’s a style figure consisting of determining, clarifying …

Jean-Luk Lagals language is language holding all the mistakes

Vincent Dedien

Today Lagarce is the most author …
The theatrical environment kept what he wrote in an incredible way. Even there was a year of Lagaryan, and he entered the BAC program.

And in the comédie-Française’s repertoire. You, in addition to this language disclosure, what touches you at home.
Should be context. It was the years of AIDS. We were talking about “homosexual cancer”, which gently made Michelle Fuko laughter. I read it and at the same time, I discovered 18-20 years old, my homosexuality. People died one after another. In his SheetLagarags records the dead. It is a small funeral catalog, Copi, Koltès …

This is the story Idols, From Christope Ponts, who is taking over the theater this season. And you, what are your idols?
I am full, full, full. Hervé Guiber, Jean-Luc Lagarce. But there are also alive. Muriel Robin, Agnio U Aavia, Nikol Garcia, Natali Baya, Christope Painte, Alex Boobe, Vincent Delerm … I am surrounded by idols. I have a lot of photos on the walls. For example, I have a huge poster of Anne Sylvestre. I’m not completely out of my teen room yet.

(1) Nothing happened to me, staged Johan Bert.
And the end of the world, staged Johan Bert, Astrested Bahaha, Céleste Brunnquell, Christiane Millet, Loãc Riwer; Both in Paris, Théâtre de L’Atelier. Theater-cariller
(2) magazine in 1977-1990. and 1990-1995 newspaper By Jean-Luk Lags, éditions Les Solitaires on time.