Who won the Emmys? Find out who won the first night of the awards

Before the trophies for the main Emmy categories are handed out, which should take place next Sunday, the 15th, the Creative Arts Emmys ceremonies took place last weekend, the 7th and 8th, a class of Emmy awards focused on technical achievements in American television productions, where more than 100 winners were named.

Among the highlights was the winner of the Best Animated Feature category, Netflix’s “Blue Eyes Samurai,” which beat out the favorite of the night, Disney+’s “X-Men 97.” Although the animated series about mutants didn’t win, two other productions from the House of Mouse’s streaming service won enormous prestige, as “Shogun: The Glorious Saga of Japan” took home 14 statuettes, while “The Bear” accumulated seven wins.

Check out the complete list of winners published by the TecMundo portal below:

Saturday’s Creative Arts Emmys Winners, 7th:

• Best Documentary or Nonfiction Series: “Beckham”
• Best Documentary or Nonfiction Special: “Jim Henson Idea Man”
• Best Unstructured Reality Show: “Welcome to Wrexham”
• Best Structured Reality Show: “Shark Tank”
• Best Short Form Reality or Nonfiction Series: “Shogun: The Making Of Shogun”
• Best Short Form Drama or Comedy Series: “Only Murders In The Building: One Killer Question”
• Best Game Show: “Jeopardy!”
• Best Game Show Host: Pat Sajak, “Wheel of Fortune”
• Best Animated Feature: “Blue Eye Samurai”
• Best Voice Acting: Maya Rudolph, “Big Mouth”
• Best Narrator: Angela Bassett, “Queens”
• Individual Outstanding in Animation: Alex Small-Butera, “Adventure Time: Fionna and Cake”; Brian Kesinger, “Blue Eye Samurai”; Ryan O’Loighlin, “Blue Eye Samurai”; Toby Wilson, “Blue Eye Samurai”; Jan Maas, “In the Know”; Noémie Leroux, “Scavengers Reign”; Tara Billinger, “Clone High”
• Outstanding Production Design for a Variety Special: Misty Buckley, Alana Billingsley, John Zuiker and Margaux Lapresle, “The Oscars”
• Outstanding Production Design for a Variety, Reality or Competition Program: N. Joseph DeTullio, Kenneth MacLeod, Melissa Shakun and Kimberly Kachougian, “Saturday Night Live”
• Best Commercial: “Fuzzy Feelings” – Apple
• Best Choreography for a Variety or Reality Program: Karla Puno Garcia, The Tony Awards
• Best Hairstyling for a Variety, Nonfiction or Reality Program: “Saturday Night Live”
• Outstanding Makeup for a Variety, Nonfiction or Reality Program: “Saturday Night Live”
• Outstanding Casting for a Reality Program: Cian O’Clery, Sean Bowman, Marina Nieto Ritger and Emma Choate, “Love on the Spectrum”
• Best Cinematography for a Nonfiction Program: “Girls State”
• Best Cinematography for a Reality Program: Charlie Beck, Michael Cheeseman, Danny Day and Pedro Delbrey, “Life Before Zero”
• Best Costume Design for a Variety, Nonfiction or Reality Program: Machine Dazzle, “Taylor Mac’s 24-Decade History of Popular Music”
• Best Writing for a Variety Series: “Last Week Tonight with John Oliver”
• Best Writing for a Nonfiction Program: “Conan O’Brien Must Go”
• Best Emerging Media Program: “Fallout: Vault 33”
• Outstanding Sound Editing for a Nonfiction or Reality Program (Single or Multi-Camera): Daniel Timmons, Jeremy S. Bloom, Ian Cymore and Ryan Rubin, “Jim Henson Idea Man”
• Outstanding Musical Composition for a Documentary Series or Special (Original Dramatic Score): David Fleming, “Jim Henson Idea Man”
• Best Music Direction: Rickey Minor, “The Oscars”
• Best Sound Mixing for a Reality Program (Single or Multi-Camera): Mark Jensen, “Welcome to Wrexham”
• Outstanding Sound Mixing for a Nonfiction Program (Single or Multi-Camera): Gary A. Rizzo, John Rampey, Sabi Tulok and Dennis Hamlin, “The Beach Boys”
• Outstanding Sound Mixing for a Variety Series or Special: “Billy Joel: The 100th – Live At Madison Square Garden”
• Outstanding Picture Editing for Variety Programming: Kelly Lyon, Sean McIlraith and Ryan McIlraith, “John Mulaney Presents: Everybody’s in LA”
• Outstanding Picture Editing for Variety Programming (Segment): Catherine Trasborg, “The Daily Show”
• Best Picture Editing for an Unstructured Reality Program: “Welcome to Wrexham”
• Outstanding Picture Editing for a Structured Reality or Competition Program: “The Voice”
• Outstanding Achievement in Documentary Production: Joe Brewster, Michèle Stephenson and Tommy Oliver, “Going to Mars: The Nikki Giovanni Project”
• Best Host for a Reality or Competition Program: Alan Cumming, “The Traitors”
• Best Nonfiction Series or Special with Host: “My Next Guest with David Letterman and John Mulaney”
• Outstanding Lighting Design for a Variety Series: “Saturday Night Live”
• Best Design/Lighting for a Variety Special: “Billy Joel: The 100th – Live At Madison Square Garden”
• Outstanding Directing for a Documentary/Nonfiction Program: Amanda McBaine and Jesse Moss, “Girls State”
• Outstanding Technical Direction, Camerawork, Video Control for a Series: “Saturday Night Live”
• Best Technical Direction, Camerawork, Video Control for a Special: “Billy Joel: The 100th – Live At Madison Square Garden”
• Best Directing for a Reality Program: Cian O’Clery, “Love on the Spectrum”
• Best Directing for a Variety Special: Hamish Hamilton, “The Oscars”
• Outstanding Directing for a Variety Series: Liz Patrick, “Saturday Night Live”
• Best Variety Special (Recorded): “Dick Van Dyke 98 Years Of Magic”
• Best Variety Special (Live): “The Oscars”

Creative Arts Emmys winners from Sunday, 8th:

• Best Made for Television Movie: “Quiz Lady”
• Outstanding Guest Actor in a Comedy Series: Jon Bernthal, “The Bear”
• Outstanding Guest Actress in a Comedy Series: Jamie Lee Curtis, “The Bear”
• Outstanding Guest Actor in a Drama Series: Nestor Carbonell, “Shogun”
• Outstanding Guest Actress in a Drama Series: Michaela Coel, “Mr. & Mrs. Smith”
• Best Short Form Performer: Eric André, “The Eric Andre Show”
• Best Choreography for Scripted Programming: “The Idol”
• Outstanding Performance by an Ensemble in a Drama Series: “Shogun”
• Outstanding Performance by an Ensemble in a Limited or Anthology Series or Movie: “Baby Reindeer”
• Outstanding Performance by an Ensemble in a Comedy Series: “The Bear”
• Best Period Costume Design for a Series: “Shogun”
• Outstanding Period Costume Design for a Limited or Anthology Series or Movie: “Feud: Capote Vs. The Swans”
• Best Costume Design, Fantasy/Sci-Fi: “Ahsoka”
• Best Contemporary Costume Design: “The Crown”
• Outstanding Contemporary Costume Design for a Limited or Anthology Series or Movie: “American Horror Story: Delicate”
• Best Prosthetic Makeup: “Shogun”
• Best Contemporary Makeup (Non-Prosthetic): “The Morning Show”
• Best Period and/or Character Makeup (Non-Prosthetic): “Shogun”
• Best Period and/or Character Hairstyle: “Shogun”
• Best Contemporary Hairstyle: “The Morning Show”
• Outstanding Stunt Coordination for a Drama, Limited or Anthology Series, or Movie: “Mr. & Mrs. Smith”
• Outstanding Stunt Coordination for a Comedy or Variety Series: “The Gentlemen”
• Best Stunt Performance: “Shogun”
• Best Production Design for a Narrative Program (Half-Hour): “Only Murders in the Building”
• Outstanding Production Design for a Contemporary Narrative Program (One Hour or More): “The Crown”
• Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More): “Shogun”
• Best Special Visual Effects in a Season or Motion Picture: “Shogun”
• Best Special Visual Effects in a Single Episode: “Ripley”
• Best Series Opening Design: “Shogun”
• Best Motion Picture Design: “Jim Henson: Idea Man”
• Outstanding Sound Editing for a Half-Hour Comedy or Drama Series and Animation: “The Bear”
• Outstanding Sound Editing for a Comedy or Drama Series (One Hour): “Shogun”
• Outstanding Sound Editing for a Limited or Anthology Series or Movie: “Ripley”
• Outstanding Sound Mixing for a Half-Hour Comedy or Drama Series and Animation: “The Bear”
• Outstanding Sound Mixing for a Comedy or Drama Series (One Hour): “Shogun”
• Outstanding Sound Mixing for a Limited or Anthology Series or Movie: “Masters of the Air”
• Outstanding Musical Composition for a Limited Series, Anthology Series, Movie or Special (Original Dramatic Score): “Lessons in Chemistry”
• Outstanding Musical Composition for a Series (Original Dramatic Score): “Only Murders in the Building”
• Best Music Supervision: “Fallout”
• Best Original Song and Lyrics: “Only Murders in the Building”
• Best Original Opening Theme Song: “Palm Royale”
• Outstanding Multi-Camera Picture Editing for a Comedy Series: “How I Met Your Father”
• Outstanding Single-Camera Picture Editing for a Comedy Series: “The Bear”
• Outstanding Single-Camera Picture Editing for a Drama Series: “Shogun”
• Outstanding Single-Camera Picture Editing for a Limited or Anthology Series or Movie: “Baby Reindeer”
• Best Cinematography for a Limited or Anthology Series or Movie: “Ripley”
• Best Cinematography for a Single-Camera Series (Half-Hour): “The Bear”
• Best Cinematography for a Multi-Camera Series (Half-Hour): “How I Met Your Father”
• Best Cinematography for a Single-Camera Series (One Hour): “Shogun”