After working for Comédie-Française for seven years, the actress brings her grace and sensitivity to the set. Revealed on the big screen A young girl who is good Sandrine Cyberlen, today she plays against Felix Moati Taste and color.
Led by Michel Leclerc (People’s Name, Gaucho TV), She becomes Marcia, a Parisian bobo singer who has to deal with the beneficiary of her late idol, a cunning thirty-year-old who depends on pop. Between the next two shoots of François Ozon և while waiting to be found in Simone Weil’s biography և in Naomi Lvovsky մ’s musical, the actress returns to this romantic և social comedy about class struggle, prejudice, life և artist integrity. .
Miss Figaro. – What do you like about Michel Leclerc’s world?
Rebecca People. – His films are like him. they are done without giving lessons. In a society where people are quickly put in boxes, he is always able to see the other side, to listen to his time, to others. All very topical, such as when he says that Marcia can fall in love with a woman and then a man. I like the fact that Michelle is not cynical. Nowadays it is rare ավոր valuable. And then music accompanies his life. it is felt by how he should evaluate it.
In the video, the flavors and colors of the trailer
Did embodying the singer require a lot of preparation?
As a child, I was in a choir, I studied music theory, piano for ten years, even today I do not know how to translate the score. I also starred in shows sung at the Comédie-Française. Ladies of Rochefort Fred Astaire movies or: West Side Story: . If I were not an actress, I would like to be a singer.
Many actors find the exercise immodest…
It is a total exposure. But strangely enough, I almost feel better when I sing. Sometimes in life I can have a sad voice that I do not like, but I sing, I find it more confident. It is almost liberating.
You play the role of a young artist looking for his place. Did it respond to your background?
In the film, we meet Marcia at a turning point in her life. What am I also going through now? I have just resigned from Comédie-Française, working for seven years in this wonderful troupe, which I joined when I was 20 years old. This is a new beginning, which implies a new apprenticeship. I started in the theater at a very young age, I had little obedience to the media. Today I am discovering the progress that can turn into a fair of vanity, the management of the image alone, while I have always worked in a troupe … In order not to feel the invasion of redundancies, to be anchored, I invest myself in the work. And, unlike the character, I do not have a manager who would advise me to sell my soul for the devil’s business. I only measure the luck of the movies I like.
When choosing a role, I try not to think about whims
Rebecca People:
And this without worrying about taste and color.
When choosing a role, I try not to think about whims. I follow my instincts, my desires. And then, who decides which is valid or not? Who has the monopoly of good taste? What is trendy one day will be trendy the next, and vice versa. We live in a time of cruelty where everything is changing so much that we need to beware of hasty judgments. The image has become so central on social networks that everything can be turned around very quickly. This is what Michelle says. the difficulty of being oneself in this society of images.
Transmission is the central theme of the film. Who counted during your trip?
My high school French teacher, who opened my horizons with her love of literature, և Christine Fersen, whom I saw. The fables of the fountain At Comédie-Française… I was 8 years old, she told me about her job. And then, of course, Eric Ruff, who trusted me when he signed up for Comédie-Française… I Remember Him և the day Dominique Blanc, whom I barely knew, asked me to go have coffee. “He noticed that I was in a bad condition, that I was very suspicious,” he told me. “You have incredible hearing, but stop standing like Notre Dame’s hunchback and play with your back to the public.” He read me, took me under his wing, and explained how much work could dispel doubts. And then, of course, it was Sandrine Cyberlen. Absolute love at first sight, a magnificent gesture of generosity from one actress to another.
Taste and color By Michel Leclerc, Rebecca Marder, Felix Moati…
Source: Le Figaro
