Crying and panic attack. in the video, the woman’s killer abandons his trial in the face of images of his crime.

“You have to be able to project them because it’s not virtual,” the Supreme Court president explains in the excerpt. On May 25, a new edition of “Envoyé Spécial” aired on France 2, presented by Elise Luce. The show’s cameras were exclusively authorized to film the appeal proceedings in the high court in their entirety.

Is that the case? A man’s femicide on his wife. The latter, who at that time was in the process of divorcing his wife, suspected him of meeting a man. One night, when she was walking home with an escort, he broke into her house and stabbed her with four stab wounds. The issue for the judges that day is whether they will judge the accused for murder with intent or without intent.

Domestic violence in the video. “I Know What I’m Talking About,” Hammers Aurore Bergé

In a sequence shared on Twitter, a man is confronted with the posthumous images of his companion, whom he discovers for the first time. If the photographs of the victim’s face are blurred, it is easy to imagine the violence of the act. Sitting in the dock, we first see the man look away, then pant, before suddenly getting up to walk out of the courtroom. “I have to go out,” he said, surrounded by police. The latter, joining his lawyers, angrily asks: “Why did they put that?”

“He died under his blows.”

This unpublished paper aimed to decipher in detail the sources of appellate proceedings in the Supreme Court. How are you doing? What is each person’s role? But it also showed a new facet of domestic violence. “I don’t know what images he keeps about that night,” one of the defendant’s lawyers explains in the extract. He knows that he committed these acts, he bears the consequences, but he never saw him die under his blows. Faced with the denial of the aggressors, the trial then turns out to be like an electric shock.

In the video: the trailer of the documentary Stop femicide. Julie’s story