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‘Avatar 2’ earns record nominations for Visual Effects Guild Awards

With the feat, ‘Avatar: The Way of Water’ surpasses the records of ‘Avatar’ and ‘The Mandalorian’

This Thursday, the 19th, the US Visual Effects Union announced the list of nominees for the 21st edition of the VES Awards, where “Avatar: The Path of Water” not only appeared among the nominated films but won a record number of indications, since the film James Cameron compete for the award in 14 different categories.

The record previously belonged to “The Mandalorian”, series of disney+ released in 2019 that was nominated for 13 categories. In addition, the film surpassed the number of nominations of its predecessor, as “Avatar” (2009), was nominated for 11 awards.

The award, which is also known as the Visual Effects Society Award, has been held annually since 2002 to honor the best films, television series and commercials released during the previous year in several categories.

This year’s edition will have its winners announced on February 15th during a ceremony at the Beverly Hilton hotel (where the Golden Globes are also held), in Los Angeles, USA. The full list of nominees can be seen below!

Best Visual Effects in Film

“Fantastic Beasts: Dumbledore’s Secrets”

“Avatar: The Way of Water”

“Batman”

“Jurassic World: Dominion”

“Top Gun: Maverick”

Best Supporting Visual Effects in a Film

“Hidden Agent”

“I Wanna Dance With Somebody: The Whitney Houston Story”

“Death on the Nile”

“The Pale Blue Eye”

“The Fabelmans”

“Thirteen Lives: The Rescue”

Best Visual Effects in Animation

“Pinocchio by Guillermo del Toro”

“Mad God”

“Strange world”

“The Bad Guys”

“The Beast of the Sea”

“Red: Growing Up Is A Beast”

Best Visual Effects in a Series

“The House of the Dragon”

“Prehistoric Planet”

“Stranger Things”

“The Boys”

“The Lord of the Rings: The Rings of Power”

Best Supporting Visual Effects in a Series

“Five Days at Memorial Hospital”

“See”

“Break”

“The Old Man”

“Vikings: Valhalla”

Best Visual Effects in a Realtime Project

“God of War: Ragnarok”

“Gotham Knights”

“The Quarry”

“The Callisto Protocol”

“The Last of Us Part I”

Best Visual Effects in a Commercial

“B&Q; Flip”

“Frito-Lay; Push It”

“Ladbrokes; Rocky”

“Minions 2: The Rise of Gru”

“Virgin Media; Highland Rider”

Best Visual Effects in a Special Location Project

“ABBA: Voyage”

“Avengers: Quantum Encounter”

“Guardians of the Galaxy: Cosmic Rewind”

“Jumanji: The Adventure”

“Star Wars: Galactic Star Cruiser”

“Stranger Things: The Experience”

Best Animated Character in a Film

João Honesto, “Pinocchio”

Kiri, “Avatar: The Way of Water”

Leo, “The Beast”

Pig, “Dreamland”

Best Animated Character in Animation

Geppetto, “Pinocchio by Guillermo del Toro”

Panda Mei, “Red: Growing Up is a Beast”

Pinocchio, “Pinocchio by Guillermo del Toro”

Splat, “Weird World”

Best Animated Character in a Series, Commercial or Real-Time Project

She-Hulk, “She-Hulk: Defender of Heroes”

Sam, “Skull & Bones”

Jacob Lee, “The Callisto Protocol”

Pogo, “The Umbrella Academy”

Best Environment Created in Film

“Avatar: The Way of Water”

“Avatar: The Way of Water”

“Jurassic World: Dominion”

“Land of Dreams”

Best Environment Created in Animation

“Pinocchio by Guillermo del Toro”

“Lightyear”

“Strange world”

“The Beast of the Sea”

“Wendell & Wild”

Best Environment Created in a Series, Commercial or Real Time Project

“Andor”

“The Book of Boba Fett”

“The Lord of the Rings: The Rings of Power”

“The Lord of the Rings: The Rings of Power”

Best Virtual Photography in a CG Project

“ABBA: Voyage”

“Avatar: The Way of Water”

“Prehistoric Planet”

“Batman”

Best Model in a Film or Animation

“The Beast of the Sea”

“Avatar: The Way of Water”

“Top Gun: Maverick”

“Wendell & Wild”

Best Film Effects Simulation

“Fantastic Beasts: Dumbledore’s Secrets”

“Avatar: The Way of Water”

“Black Panther: Wakanda Forever After”

“Avatar: The Way of Water”

Best Effects Simulation in Animation

“The Beast of the Sea”

“Puss in Boots 2: Last Order”

“Lightyear”

“Strange world”

Best Effects Simulation in a Series, Commercial or Project in Real Time

“Guillermo del Toro’s Cabinet of Curiosities”

“Stranger Things”

“The Lord of the Rings: The Rings of Power”

“The Lord of the Rings: The Rings of Power”

Best Film Composition and Lighting

“Avatar: The Way of Water”

“Avatar: The Way of Water”

“Batman”

“Top Gun: Maverick”

Best Series Composition and Lighting

“The House of the Dragon”

“Love, Death and Robots”

“The Book of Boba Fett”

“The Lord of the Rings: The Rings of Power”

Best Composition and Lighting in a Commercial

Cartier, “Tank”

Ladbrokes, “Rocky”

Samsung, “Playtime is Over”

Samsung, “The Spider and the Window”

Best Practical Effects in a Film, Animation or Series

“Avatar: The Way of Water”

“Mad God”

“The Lord of the Rings: The Rings of Power”

“Black Adam”

Best Practical Effects in a Student Film

“A Calling. From the Desert to the Sea”

“boom”

“Macula”

“Maronii”

Emerging Technology Award

“Avatar: The Path of Water” (Depth Comp)

“Avatar: The Way of Water” (Facial System)

“Avatar: The Way of Water” (Water Toolset)

“Pinocchio by Guillermo del Toro” (3D printed metal armor)

“Red: Growing is a Beast” (Profile Mover and CurveNets)

Winsor McKay Award

Pete Doctor

Evelyn Lambart

Craig McCracken

Ub Iwerks Award

Visual Effects Reference Platform

Certificate of Merit Award

John Omohundro

Source: Recreio

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