On Friday morning, Jonathan Anderson meets with the Republican Guard, where his summer 2022 collection was paraded in an anthology show to a standing ovation. While she has simultaneously pushed the boundaries of experimentation, this return shows that the line between true creativity (even ready-to-wear) and the detached ready-to-wear woman that the mode should aim for is thin. . At the center of the decor is a giant fiberglass anthurium flower, a phallic symbol if there ever was one, Guy Bourdain would say no less. Anderson does not emphasize its erotic dimension, but justifies this choice with the strangeness of this flower so “plastic” that you would never know if it is artificial or not. In this way, in which nature plays with illusions, he is more interested than “fake digital realities” modern. The attention of the public is intense when the young actress Taylor Russell from the center hatch on the poster of the much-anticipated. Bones and all By Luca Guadagnino…
Source: Le Figaro
