Interview – Alexander Dumasi Great reader, Adela de Clermont-holidays wants to restore his new novel, which has been appointed a villain.
In recent years, we have witnessed the real rebirth of Alexander Dumas Monte-Christo’s calculation Pierre’s house, who filled the rooms in 2024 at 2024 Three muskers, Which in 2023 was two films, and two sets of Disney soon. With I wanted to live, Adélaïde de Clermont-Tonnerre offers a classic female and feminist rewrite, delivering the view of its most famous unpleasant, literature. Miladi. The art of incomparable skill and turning art deserves the best series, the author The end of ours (The 2016 French Academy of Academy offers a rotating saga as attractive as it is pleasant. Whereas “Even the artistic image has the right to justice”…
Madame Figaro. – Why did you decide to give a voice?
Adelaide of Clermont-Tonnerre. – One day I had my children to hear, the smaller, convenient and simplified version Three muskersAnd I had a shower. Miladi was presented there as a 15-year degenerative, which the priest distracted the right path. However, if the latter did his priesthood, he was at least ten or fifteen years than him. Who distracts who is in this case? The suspicion began to create this novel, which I knew, but on my fingers. I went abroad with my parents in the summer of my 12 years, without taking a book, and the only French work that was available Three muskers Bragelonne’s Viscount Aeration of Twenty years later. I read it and read two months. Then I wanted to be consistency, beautiful, sweet and sacrificed. I admired Artagnaghan, I was in love with Atos because he was dark and tortured, and I hated Milad, toxic, criminal …
I have given you years to get rid of the idea that I should have been a wise girl, a good student
Clermont-Tonnerre Adelaide
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And have you changed your point?
I realized that the values I grew up with as a child and a young girl were forced to find that Milad was judging his version of ten men and without a lawyer. In Three muskers, It is systematically telling the others by Athos, which attracts Deshakan, d’ereholder, who views it or by the Almighty. It is also biased, and Dumas sows many threads in this sense. I had years old, personally, to get rid of me from the idea that I had to be the wise girl, a good student. This question is pursuing me for a long time. I did my de and with two symbolic mantens of Two symbolic mantens of La Malinci, the virgins and La Malinci, the virgins and Fuck. One embodies holiness and other uncleanness, although he is the mother of Mexicans. It’s Mahchinc, who causes Métis people. He is an Indian and becomes a mistress of Cortès, consecutor.
I wanted to live Thus, he is part of a personal route.
Yes, Miladi allowed me to dig old questions. My first novel, Fur, It is also the story of a bad life woman who judges and dooms that learns to understand. In It is ours. The topic appears through the women of Auschena, which we had to be the sexual slaves of the Nazis, and during which they said that they had in this camp. Happy daysI’m back to Weinstein and Metoo Affair. When, the baby, I started to become a woman, terrified. I saw a constrained and danger. I have come from the system of values where I lost. What happens? I would have fewer opportunities for less rights. I had a grandfather who was an extraordinary man, but who also explained to me that women were not made to painters that there was no woman writer.
Miladi is very modern in my eyes. He is a warrior
Clermont-Tonnerre Adelaide
Do you think? Three muskers, The story was written by the winners, and that I wanted to live Strive to restore certain truths.
For example, Dumas was a great man, in love with the queen of France and a romantic hero. Historically, Buckingham, however, was one of the smarts of Jacques King 1union From England. He has risen the rows of power and wealth from the royal bed. Similarly, if we stand back, the muskers presented as heroes, those who serve the state. Miladi is very modern, in my eyes he is a fighter, the mother of the child who is trying to take revenge on his family and follow his way without the desires of others. I had been severely affected by his loneliness and his courage. Write I wanted to live, I have slipped myself, his colleagues in August, in the Team of the Dumas Screenwriter, because if we think about it, the Dumas is the inventor of the scenarios and a modern series. I say all that Dumas did not say or wrote time. I don’t resist his story, I’m filling it.
Do you talk about a series? You had an idea that renew the fire novel, the adventure novel.
I especially loyal to romantic and artistic. I have always loved Dumas, and I try to write novels that I enjoy having a reader. I like the books that start on me and allow attempts to make “Other lives than mine”According to Emmanuel Keryi’s words. Slipping in another person’s skin is great freedom. And that’s what I want to offer. The characters we think and think, and books we don’t want to close because they have become a refuge. I remain admired that literature conveys it from deep feelings. I want to write a condensed life without being attached to categories. Often people ask that it is a love story or travel history if it’s a sad or comic book, while the books I like is everything. Whoever is a very bad hug, I am aware, but I remain the generous party, Dumas, Balzak, Dostoevsky.
What I love in Dumas’ works is their fertility
Clermont-Tonnerre Adelaide
In All times are disgusting, Laure Murat makes a difference for classic rewrite, even if it means censorship so that it meets the moral standards of time and restore the classic … what do you think?
Book collection: I wanted to live He wrote me. “Next reading, three muskers.” “ That made me very happy. I’m not against me, delete, judge, but to give the other point of view. What I like is the works of Dumas is their fertility. Several books were now reviewed at the cinema, television, comics, and if I can bring a new child to this legacy, it will be great. Wishing censorship is poverty and blindness. Very young, I swallowed the novels, which were undoubtedly poisonous for a teenage girl who was looking for comforting, violent texts, and consuming women. But this land should not be removed. It is necessary to build with it. The creative act is infinitely strong than the revisionist act.
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“” “I wanted to live, “Adélaïde de Clermont-Tonnerre, Greast Publishes, 480 pages. € 24.
Source: Le Figaro
