The fashion house, the historical cinema, supports the Biennale College, a device that facilitates the emergence of new directors. 2025 Publication of the godfather. Audre Dian who received here in 2021 “Golden Lion” for his film Event:A number of meetings.
Venice Mostra on Sunday August 31. May not announced a new initiative in its historical support to create a broad sense. Created in 2012 This program aims to encourage a new generation of international directors (200,000 euro Scholarship). Every year, the institution is interested in dozens of young directors, and then four are preserved from the screening of the film, its design and then its issuance. Then the films are presented as an extraordinary springboard for these new talents part of Mostra’s official programming.
This year is Audrey Diwan (Lion D ‘or 2021) Event:) Which has been appointed as Biennale College-Kinala 2025 godfather. This famous director and scenario completes its fourth film’s writing, adapting Wedding portraitThe novel by British Miggarale.
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Madame Figaro.
Audrey Diwan.- In fact, when I intervene, the films already exist. They are signed by four young directors who come from many different countries and who are amazed at how we enter this industry. How to hear your voice? What to do? How to make your movie travel? How to approach the following film? The Biennale College supports everything so that everything happens.
What is the problem with the young director’s journey?
The beginning is complicated. The more radical gesture, the less we will find people to do it. The film is very difficult. The originality of the Venice System is that he accompanies Duo, director and producer. The Biennale College supports the desire and vision of young talents and ensures that the industry is backed up.
What advice would you give a young director?
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Already process your own trust, which is often undermined during exercise. Don’t lose sight of what we believe we keep. Then learn how to hear something I have learned over time. Cinema is a collaborative art, and it is the fullness of the sound that will make the film. Finally look at the horizon line. I have the impression that when you start the film, the experience is so complete, so intense that you don’t design yourself. You must not omit your inner world to feed. For example, I write with others, I write to others, so my world does not dry out.
Cinema is a collaborative art, and it is the addition of votes that will make the film
Audrey Diwan
Do you have a mentor’s soul?
Mentor, the word is strong, but I really like the transfer. I always told me that art was like a wall, and everyone puts stone there. It’s a participation if we think we are the center and all, we generally lose fast. The image of the built-built wall calms. I took myself to people by trying to get back what I was given to me. I didn’t have a mentor, but I was surrounded by people who were everyone in their place and at their own level, many directors, this dialogue is very expensive for me.
Do you have decisive inspirations?
My Alpha and Omega are indignant, she is who forced me, the work and the woman. The way to cinema, in which he takes his genre. His film Without a roof or law taught me a lot.
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Like him, you are few people who got the “golden lion” of Venice …
I didn’t count things like that, on the other hand I thought foolish about my film (Event, editor’s writing)A number of what I find in the four young director of 2025 in Biennale College is. The way to do the most honest and simple works is to think about the film, and then one day, sometimes to find that we receive a prize. If we only think about the price, we have already lost one of the reasons for making a movie …
Is it common to say that there are active directors? Cases management.
I’m not interested. We need to be very vigilant in the industry that is related to the fluctuating policy of cultural fluctuations. There are more directors, especially in France, but we must be vigilant and see how we maintain this way.
Since the beginning of its history, Chanel House has assured itself as a sponsor of art, particularly a cinema, supporting filmmakers, cultural institutions and encouraging young works.
I like the idea that the relationship between Chanel and Cinema is based on the vision of art, the desire to make the “Heritage” films to work with the main cinemas. The house accompanied me on the tour of my films. This essential support allowed me to hear my voice.
Source: Le Figaro
