Christophe Visner, director of Arles meetings. “More than ever, photography appears as a tool of resistance”

The head of Arious meetings thinks, Christophe Viez blows the wind involving the wind, which is involved in Camargue City. The heritage, misinformation, new parents … And offers significant counter-revolution to dominant speeches.

Madame Figaro. – Why are you fluctuating this season this season?
Christophe VicesA number – When I was preparing a press conference, Trump was crusading, various, justice and inclusion. Serving his digital database, the Pentagon erased the shootings of Endia Gay, Hiroshima bomb and the portra-entrance portrait of the war, which took part in the war efforts. More than ever, photography came to me as a tool of resistance, a power against power.

Poster takes over this commitment. Describe us …
Made by artists’ team, the image is extracted from the exhibition “” “We Country “We Australian Photography, a country that has long ago arisen the issue of colonization on marginalization of indigenous peoples. This child dipped on the corpse, wearing Captain America’s mask, responds to the current crisis, the idea of ​​the World Cultivation World Culture. The image was cut off in a way that this superhero in the dominion place in the growing dynamic.

Other geography coexist with nomadic chronic sequence, photographic genre of photography …
The photographer-technical indicator, which is the area, which is common than the origin of the interpretation. Just quote Eugène Atget work in Paris. Karen Care and Anna’s fox road trip is also symptomatic. They continue their unfinished project in their own way, which swept the legendary route in 1954, which changed in the American consumer society. Their gaze points out inequalities and is attached to the left hand. This sequence leads to different ways.

Family stories, regardless of the nuclear or selected, they are in the center of attention.
The collected work has expanded the concept kinship (Kit), central to the winner of Kerming women in the movement’s award this year. He did not stop providing his replacement family after his older sister’s suicide. Links also arises in Erika Lennard, who chose his sister and friends than professional book models Women, sistersIt was published in 1976. By women’s publications. Or even in Carmen’s profit, who initiates separatist lesbian communities through dialogue with a dialogue with a dialogue with the team. Memory search, identity, which reconstructions in a strictly reconstruction of a family’s myth.

Nan Goldin continued to document his replacement family, following his older sister, Barbara’s suicide

Christophe Vices

He also dismantled in the series of archives at the workplace, which was revised from the point of view of a fairy tale. For what?
The archive is everywhere. The idea approach the topic with other prism. Like Marion and Philippe Jacquera, it is rich in 10,000 anonymous printing, from the background of Victor Hugo’s funeral to these souvenirs of these souvenirs, which is unread by the unread clichés at the scene. The fairy tale is sometimes tragic, like AGNès Geoffray, who looks at these “storage schools”, where we have laid young minor girls, who were considered deviated. The archive serves him as a source of creating new images. Reconstruction that gives questions to social norms and excessive passages from the past.

Louis Stettner, Claudia Andujar, Yves Saint Laurent … Tell us about the big numbers of REREADSA number
The idea was to look at each one. The exhibition dedicated to Yves Saintain studies its intimate relationships with its illustrations, which built his personal mythology, the polaroids serving him. In the case of Claudia Nakhshire, the exhibition focuses on a series that he reaches a meeting with the Indians of Yanomam, in particular, to this African American model, whose body is radiography. Unknown prints that already testify to his armature. As for Louis’s stars, the exhibition emphasizes its role as a smuggling of American street photography and French humanist photography, as it is about his condemnation in the Communist Party. This social sensitivity is found in letizia Battaglia, which captures the Sicilian mafia violence when the beauty of Palermo is growing.

What about appearing?
The exhibition “” “The future ancestor»» Focuses on the young scene of Brazil, which is asked by the colonial heritage and the community in the struggle, while discussions on the return of the “Heritage” return and the constituency stories. As a Louis Roederer Foundation Discovery Award, Commissioner César González-Aguirre has a very personal look in modern work. Hypermese, oral tradition, bypass photos, nuclear security …

Arles meetings from July 7 to October 5, in Arles. Dating-arles.com