While he has just published a test, Is SmokeIn which he tells himself, an actor, director, comédie-Française, talks to us with great elegance of unexplained force.
During my 16 years, my father took me to Lai, see Silvi Gilemi denser Sisi, Anarchist Empress, By Maurice Béjart. I overwhelmed by this dancer, but they usually talked so much, couldn’t explain what I feel. Words didn’t arrive this woman’s ankle and what she had just made in me. I was completely connected with him, and that evening I realized the power of movement. Then two years ago by participating in production Macbeth From Verdi I had the same love at first sight, really identical, but this time for the singer, Asmik Grigoryan. He just won the bastille opera Il Trittico. Fortunately, I have dinner with him that evening and tell him how worried about, but he has just felt, and what he felt earlier, and that he had felt earlier. I show him a video of my dancer on my phone in Lac des cygnes, He looks at him and goes to my cell phone. “Yes, time is everything” (“Really, time is essential”).
Departing, I’m usually so talky, I couldn’t explain what I felt
Gillin Galen
At the right time
I ask him to develop, and he answers that it is necessary to be at the right time, because it is between two times that we can really create. And I understand that whatever he touches me so much is not the vicious, FA or land tie, such a word or one, what is happening between the two. As in Cézanne’s picture, it’s two colors “modulated” that meets me the most. Whether or not in music, dance, painting, theater or in love is what is, the exact movement, which is how it is. And if it’s so beautiful, that’s what it says indescribable.
It reminds me of my cousin Alicia Galien, who is in his poetry collection The other half of the dream belongs to me (Éd. Gallimard):
Foggy foggy, Guillaume Gallienne in the Ma Nut collection in the museum in stock editions.
Source: Le Figaro
