Robin Campillo.

Their friendship was born in the early 1980s from their meeting on film directories (IDHEC) benches. Robin Campillo and Laurent Cantet worked together for almost thirty years. His own career parallel as a film director (Ghosts, 120 blows per minute …) The first was the astronaut and editor of most of his films Time have Between the walls. Also made after Laurent’s death of KantatEnzo, His loyal accomplice, of course, forced him to implement the project in the long run. The opening of the fifteen film directors of Cannes, the teenager, who escapes its fears, the sensitive case, where the shadows and a light war are context.

Madame Figaro. – When was it determined that you will be able to be second bouquets on the movie?
Robin Campillo. – When Laura received her diagnosis of pancreas, I suggested to be present at the collection and assembly, in the case of great fatigue. But his condition worsened fast. One day before his death, we had a long discussion about our friendship, and I left him before he left, because he went. “You will be able to make your films.” He did not want to force anything on me, thought that it was accusation for me. When I left, I called Marie-Angir Lusani, our manufacturer, who told me. “Why don’t you say to him that you would like to continue?” When I returned to the room with the consent of Laurent’s wife and children to announce my decision, she illuminated … If I did not leave this fire like a good little soldier.

Are you planning Enzo Tribute.
No, I consider it as a movie. I staged it because I thought it because I wanted to see Enzo Come to life. Besides, I didn’t make the film “Lauren’s way” I am not able to. Cinema is a living material that prevents disease “tribute.” Like 120 blow per minute, Where I preferred life to celebrate that death, it was the youth and the power of Enzoe I wanted to capture.

How did you choose your actors?
We did it with Lauent a few days before the victory of the disease. We both wanted to walk around Élodie Bouchez for a long time. He has a strong personality but never gives the impression of winning. He is both a very solar and hyperlucid, like the mother of ENzo, and the contrast with Pipransko Favino, who plays a suffocating father, works great. Enzo, Eloy Pohu to play, who is a beginner, had a listenable presence, which we were looking for a minor and strong, at the same time sensitive and land. Maxim Slivinsky, who embodies a Ukrainian employee who takes him under his arm truly works on construction sites. We always loved their professional and unprofessional actors with Laurence.

What is playing in the movie?
Enzo Talk about adolescence, not as a psychological impair of existence, but as a political moment. This child refuses the false peace of mind in which he lives. He feels that the world surprises him, especially in Ukraine, and that this violence can reach us. Instead of hiding his family, he wants to face his fears, to prepare for disaster, building his hands on the walls, imagining the front …

Enzo, Is that also the history of the class of Catory?
Laurent recalled that a long-term child’s story in his family for a long time. The lesson of the lesson, the difficulty of finding its place is subjects that celebrate his cinema because he himself lived. Human resources It ends with this duplicate: “And where is your place?” We have always joined this question, which is also present in my films. The family is one of the most random social structures. Baby doesn’t choose that. In this case, Enzo presents political agma for his loved ones. Why does he reject his class? Why, in contrast to the older brother, give up the way? Why is he, the son of an intellectual, admired the universe that represents many traditional virgins?

Traditional, of course, but kind, like this scene, where Enzo wants to build for its construction …
You have to be careful with caricatures, archaic models, surprise. It would be a fool to imagine that workers on websites are one-time homophobic, racist or sexist.

This is one of the post-Soviet issues. Expanding the field of representations …
We are initially but this opening promotes. At this point I am writing on his mother and his daughter, and following the variety of challenges more awareness, I decided that one of the two would be black. This requirement of the representation, which implies that one of the characters adopts, has a lot of impact on my history. He opened new doors to me.

Enzon puts political agma for his loved ones. Why does he reject his class?

ROBIN CAMPILLO

You have always been careful about these questions ?
I believe in it, but you have to be humble. Being gay, being part of another discriminatory population does not mean that I know how the inequalities are embodied in everyday life of women. I need a different look. I need it necessary for fiction that artistic literature is not the subject of representations, but an agreement of representations. This is due to the manner that produces a political affair that should never be captured in emotions.

EnzoFrom Laurent Cantet, director Robin Campilo, Elo Piphransco Favino, Élodie Bouchez, Maksym Slivinskyi … Issued on June 18.