When design animals, insects and shells

It started suddenly. A little before the Milan furniture fair in April last year. I started to see animals everywhere in furniture halls. No small dogs and cats, but poetic drives that could be inhabited by a Miyazak movie. Totoro cousins ​​are shortened.

It was an ear arm that passed randomly on the West Coast at Taupe Plush, which first challenged me first. He made me think of an elephant. There is no question of volume or lines, but I immediately connected it with the survived Children’s Pachistry, without breaking in a porcelain store.

Then there was a 16-legged table on the wheels of Wendy Andreux, recently entered national furniture. A steel coffee table equipped with 16 foot casters such as beautiful mills. A strange and friendly match, meaning the positive science fiction universe.

During the visit to Louis Wuotto, I felt incredible desire to kiss the file of the three-eyed chairs signed by Argentine Designer Christian Mohade. He reminded three-quadrant lamb.

As for Chisyan Mohad, he still had something sheep of crazy elegance, which removed his generous armchairs towards me, but sheep nor his full cheeks, session.

Leaving the Herd, the scales by Giampiero Tagliaferi, he made me think about a stylized and beautiful duck and especially. His seat and his file, excellent, are shown to disarmament clarity, perhaps striking to the story of a toad chair. Reduce his unpaid legs, but be full of tube metal stems, he proudly showed me that he was not done alone in his corner. Coin:

Of course, in the field of internal sofas, there will be no more, as Francesco Binfaré’s Sofa package is located in the White Bear, but here, completely harmless and even unequal and even unequal and even unequal and even unequal and even unequal and even unequal.

But now, the new animal world, a larger abstract invades into the living room. Taru Canaloung in Roset with his wrinkled base, which makes it impressed that it is made of only one room, can be a giant and obedient ears that are ready to leave it.

Sacha Lakic’s love line reminds me of a giant oyster, monumental and welcoming peel.

Seeing all hair, feathers and pearls, worried me a little everywhere. So I looked at several design icons. Disliking this creative panorama. It is impossible to contact Gio Ponti to ask him if he thought about this animal by drawing D.150.5. But I still called his ghost. He answered, sending me the image of D.157.6. A sofa that shows a big smile … which I commented as a generous lash.