Filipino Lero-Bulie. “The gaze of others.” I have nothing to do again “

Shooting before season 5Emily in Paris It was calm, Philipin Lero-Beyleyley is a bus stop. The actress assumes the features of the agency’s director Silvi Grayvi as a flexible and sharp Netflix, which again pushed him to the head of the bill, at 60pm. The institution and independence model provides its relations, the importance of longevity of others, the durability of the demanding profession, the environment in the environment and the challenges that are still promoting it. Meeting without bypass, full-authorized, Martinez Hotel.

Madame Figaro.- You embody femininity we could see and it’s doing good. What is the secret of this independence?
Philippine Lero-Beyulu .- I deeply believe in feminine. I think we don’t have to want to be a man to be able to do. I have always been a lot of tomb boy when I was little, and I always liked this complexity in me, which had a certain manly force, and then at the same time. I believe this is what balances me, such integrity with moments when my men are much stronger when I’m much more aggressive. This internal balance between our two sides, which we all have, gives us some basis.

Over time, you have found a vulnerable parade, which can feel on the other side.
The parade comes from this internal balance that means I have nothing more about me. Because I’m very good to know to know myself, know who I am, and I accept myself as I am, and all my beauties. It’s between me and me. From the moment I am accepted, the other’s look is only for the prediction of my own insecurity when he reaches me. It is difficult to focus on it.

I have nothing to do with what you think of me

Philippine Lero-Beyulu

You have crazy success with women. Are you aware of it?
I don’t really realize this, but it’s too much to touch me because it’s often hard to be loved by your peers. There are many competitions between women in general. I believe the competition is something that is on women. But I really consider it beautiful to get to the cultural hour where we learn to support each other more, respect ourselves, love, and most of all must be inspired. There are many women who inspire me, even women we don’t know every day, whom I find the way to look at the world, very inspiring, very beautiful. The more we try to talk to each other, to understand each other, the more risk you apply to each other.

What role does it play the most during your career?
What do I do right now my Sylvie Gateau Emily in ParisA number because I never turned something over time. We are in the fifth season. It’s a challenge because you have to find this freshness of the first love. I want to update myself, give more colors to my character while holding up his circle. I love him in a deep and shooting, I realized how much he had missed. I was so happy to find him.

I am deeply like my character from Silvia and realized how much I missed it.

Philippine Lero-Beyulu

As an actress, what is the challenge, the role that makes you right now?
I want a lot of different things, of course. I want a lot of interior that is not a comedy that allows you to be in real intensity. It’s a totally intense call.

What are the actresses to give the actual counsel who starts and that no one ever says?
Today, the challenge will really take place around social networks, very fast molazes. And to last, I would say them. Staying in this uncertainty that we are always hungry that we are always in love with our work as the first day. This is the most important thing. And that’s why you always have to be on the edge of the incessant height, be certain insecurity. It is a specialty of the rolls, and it is important that it remains. I was fortunate to be hungry too long. Not only in terms of money but for hungry recognition. I was in a kind of anger, it was angry to want to get there. We need to keep this desire. How my mother said: “Time doesn’t respect what time didn’t build.” This is something I have always in mind.

I was a kind of anger, angered to get there

Philippine Lero-Beyulu

Somewhere in Cannes where can you find you and that you especially like?
My hotel room. There are times when we are able to be half an hour alone, and if we are lucky to see the sea, it’s too big. But I never have time to bathe.