Santiago H. Amiguna, author. “The Cannes Film Festival is the most unique place in the world, all of which are excluded”

Randomly, this year, when Juliet Binoc Chairs the Jury of the Cannes Festival is where one of his former companions, Santiago H. Amiguna publishes a publisher title. Cannes festival or lost timeWith the title of this penultimate volume of a variety of enrages The last bookStarted in 1998, and dozens of components appeared over the years, the author Internal ghetto The festival tells the story of history, at the festival, reveals itself to the reading prism of all existence. In turn, a barometer of love and a mirror, which has become literate actresses lost illusions and director.

Madame Figaro. A little Why did you decide to focus on this new book on the Cannes Film Festival?
Santiago H. Amigo. A little I realized it quite late to find the equivalent there, all the controlled proportions from the gualgs evenings Research From Proust. It was in my life what was approaching it. Description of my last evening in Cannes last night The time was foundwhere we realize that it’s time we have gone age that we are like others that we have lost its time, so this lost time does not stop Patmos or area found foundA number of Cannes and Historos match me on Swann’s side of Messeglise – and Guermantes. It’s the right thing I can no longer separate things as much as Research I have absorbed me because I have read it at the age of 20. He is a part of my relationship not only in literature, reading and writing, which I will know that I will to lose myself.

Cannin forms a separate area, during which you have risen at all levels, from an unknown party to the screenwriter and director of Star Juliet Binocé …
I went to Cannes for the first time when I was 22 years old and for bad reasons. I was in love with the actress I lived with two years and who left me (Philippine Lero-Breyrieley, editor’s writing)What do I tell in the previous two chapters of this novel? First love Aeration of First defeatI hung up a number from the idea of ​​buying Cannes and the idea of ​​entering into space, which I had never lost when it was never for me. It was only the universe where I liked the woman. And he came to some of my existence, because I started working as a screenwriter because I was surrounded by a cinema as Santiago H. Amiguna Young hazard) So I went there and I wanted to find my place there, ignoring as temptation, because I’m sorry I didn’t hurt me.

The festival seems to be for the excellence of social hierarchies …
It is undoubtedly the most unexpected place in the world, which is all excluded, maybe the winner of the “Golden Palm” of the year when he receives it. Even the Secretary-General, who has a lot of force in the field of cinema, believes that Inswar cannot participate in the festival as a director or actor. These hierarchies are exposed from the first day, the street, when we look at the people who are getting steps on the steps to reach a seventh paradise. And in the orchestra we go or a piece of orchestration or a small square that is ahead, reserved to the team. And when you are in a small square, you are attracted to your place or not, reserved. It never stops.

Similarly, we are located in the camp session, in a two-room apartment or palace, whether we are invited to evening.
The characteristic of the evening is that we refuse people. This is achieving success. I say how we go to another status in this context, how to give up everywhere, but managing a liar, stealing that we were able to invite even. We ask you to come because it’s supposed to bring something to the party … like all social pyramids, there are an illusion that there is one point. It continues to expand down, you never arrive at the top, and every place where you will present or respond, offers a possible ascent of the mirage. I started watching the Canni Film Festival at a certain distance because I was interested in understanding. There is no moral judgment. Everyone develops in their worldly world, in their small kingdom. It turns out that I lived in Cannes on the rise and social power, and that this microcosis allowed me to talk about what happens to everyone. My luck is that I have been convinced of adolescence since the most important thing in my life is to write literature. I have written scenarios and cinema for food causes, while the stake is much more important, sometimes vital for most people who go for most of the people. When I was not allowed to enter the party, I could be unhappy, but I was not deeply injured, with a feeling of my person and my art.

Like, after Proust, create characters from people who existed without naming. […] It is possible to talk about famous people without anyone interested.

Santiago H. Amigoons

Cannes, it is also the venue of the women’s emissions (Philippine Lero-Breyrier, Julie Gayet, Juliet Binocse), who are also famous people. Which leads to full reflection.
The Proust explicitly says we should not see Research A key novel that does not prevent it from working to work more than a century to search for real-life characters models. Like, after Proust, create characters from people who existed without naming. I had to find my own way. The issue of the name comes from afar, Shakespeare, James Joy … – But I would say that he will feed, in my case, nonsense that could appear for the first time. Gala Or Here isBut without having any readers. It is possible to talk about famous people without anyone interested. I don’t know if I got there, but it was one of my goals. Do Here is that no one was reading …