Art Paris 2025. “The anchoring of justice explains its success.

Returning to Grand Palis, Art Paris gives honor to the French Judgish picture of a dedicated course, the director of Amey’s Adambo and Director Numa Hamburin. Modern installation. The interview of the cross with the Chief Commissioner of Gillomi’s Pzins and Fair.

MEDIME FIGARO A little bit What is the genesis of this thematic journey?
Guillaume Piens. – Since 2018, Artis has supported the hexagonal view through the critical look of the exhibition moderator. This year, for the first time, we welcome the duet. This topic that BNP Paribas is based on 40,000 euros, emphasizes the new interest in the French public and art market. Widespread phenomenon, as evidenced by foreign galleries in the fair.

This focus extends the exhibition Immortelle, the viability of young French pictorial painting, Posted in 2023 in Mo.co. De Montpellier, from which Amel and Nichan were commissioned ones. How did you review the subject?
Numa Hambsin. – All the arts, painting is the oldest. Mo.co. Exhibition, which was attended by 122 artists, who was born in the 1970s and in the mid-1990s, operated cup. This huge panorama was absent from previous generations. The journey to art integrates them in history and speaks less golden age than continuity, parenthood.

You have selected 30 artists from 170 participants 170 participants. What were the choice criteria?
Amélie Adamo. – The challenge was to combine teaching talents with teachers, like Jean Pagion, Robert Comb or Ronan Barot. A century separates the elder, Yeghja Leroy, young Laya Tuta. Such a genealogy allowed us to distinguish pictorial problems, contradictions, which every generation has been found one day. Our choice fell on the works that respond to three main creative tensions. Current and indefinite, Karine Ruigi or Yellow Odah, nourishing from the Great Imaginary Museum. Between the appearance of the abstract, Françoise Pétrovitch or Yayoï Gunji, where the feeling of reality prevails over its representative office. Finally by Thomas Lévy-Lanne or Agnès Thurnauer, who propaganda for environmental or gender equality.

Gaff– This non-exhaustive journey is based on subjective choice, adhering to the spirit of art discovery and the spirit of art in Paris, which are asked with the invisibility of minorities.

From Jean-Charles Blaze to Gerard Schlos, the approaches differ as the consequences of the material …
A – Some artists such as Koxifie Lost are more accompanied, others are approaching the smooth side of the photo. Some, such as Marlen Mokett or Lauren Pooks, range between sharp techniques that have absorbed German realism and more liberated areas.

Nh – Whether technical, generation, gender or origin, diversity is one of the characteristics of the French scene, which has long suffered from chapel disputes. We wanted to expand the reflection field to share the generous vision of painting.

A – Generosity that does not rule out a certain requirement. The aesthetic stiffness of the label Immortal felt all the way.

From Marion Batillard to Milen Sanchez, the young guard seems to have found the balance of the balance between the inheritance and a clean table …
Nh – The new generation is contrasted with its water. This is the case of Galtan’s Vagueli, who, in Wiley’s venous year, is a youth who is often a subject of youth, such as Louvre’s romances. Or Johanna Mirabel, the winner of the Empreige Scholarship, whose internal scenes are renewed the picture of the intimate.

A– Johanna supported Jérôme Zonder, the production of 1970, for which he worked and who facilitated his entry into the Obadia Gallery. If his impact appears in his technology, combining ambiguity and accuracy, he enriches it, adding personal reflection to identity, femininity.

What do these artists share in all origin?
Nh – Trust their partner. Be united too. We were hit on Mo.co. with the joy of being together. He was a family meeting to quote Frédéric Bazille.

Gaff – The spirit of the same community ruled in the September last year in September Artists’ Day, An event organized by Thomas Lévy-Lasne. A strong signal sent by an institution dedicated to the XIX Arts^simmer century

The absence of French artists in large meetings that frequent foreign collectors and conservatives affect their side

Amélie Adamo:

What about the visibility of the French scene, beyond and outside the borders?
Gaff– The situation is improving, thanks to some sponsors, such as nurses dummies. We should not be right early. Dovid trend has been reversed. There is nearby neighborhood nearby. Paris anchor explains its success. When we climb in the central corridor, we know where we are, not in Tokyo, Milan or Berlin.

A – The absence of French artists from foreign collectors and conservatives often affects their side, still very low on their German or American partners. It does not value, but political will.

Nh – Our artists do not need to be ashamed. To protect them more, the next stepImmortal will undoubtedly be international.

Art Paris is April 3 to 6 in the Grand Palis of Paris. Artparis.fr