He was born from the Louvre and French Culture Initiative, Podcasts Live account Submit unknown work from the museum. New way to detect and show latter.
In the world-rich in a world, and that artificial intellect takes away all spaces to find time to evaluate artwork. The initiative of the Louvre and France Culture is trying to find a response these days. A number of 10 podcasts, Live account (1) The former director of Jean de Luis, Artist and Pala de Tokyo, Fine Arts School, familiar Louvre and French culture. Each episode tells that the conservatives and Klotilde Hessman and Micha Lepot reads a slight job of museum collections. We meet Portrait of Anne De Cleves Between 1515 and 1557, Hans Holbir, as a bright inscription for the 10th century, BC. A statue of voting from the 4th century Portrait at the foot of Marcik de Pompadur By Maurice-Quentin de La Tour drawn between 1752 and 1755. The result, which makes the first season, stimulates, scientists. But what can a Podcast really, in the face of the growth of independence in front of Mona Lisa? We talked to the sponsor of French culture with Email de Jong.
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Madame Figaro: Comment was the idea of this podcast.
Emelie de jong.- Laurent, the Laurentian President wanted to highlight the masterpieces of the museum, which does not necessarily recognize it. I was wondering that I was interested in the arts, forms, colors and texture audio objects. Because I always see the power of sound. It creates an imagination.
Why podcast than a plan?
Podcast allows a form of agility that works well in the logic of the collection. Especially when we set up a podcasts node on September 20, 2022, which is called “Knowledge +”, whose mission is to shine with major French cultural institutions and knowledge. Louvre is one of them, as well as the National Museum of Natural History, the Muse D’-OPSA National Museum, the National Book Center and about twenty other partners. Radio France app welcomes partner podcasts, with a problem with sound quality, but great freedom of formats. And it is virtuous. Some of our “Knowledge +” partners allowed quadruple their audience.
What is the economy of such a podcast?
It is a common project that supports the artistic part of the art and French production culture. Our two examinations are gathered. Image analysis and sound. It is part of two institutions. This is the wonderful side of this collection. Able to swim knowledge.
How did you choose 10 jobs of Podcast episodes?
With Jean de Luki, a historian of great historian and art, we wanted to offer quite eclectic episodes between sculpture, painting, porcelain. It was a common, very pleasant and stimulating construction.
Is the idea of collaboration or alliance now needed?
I think it’s virtuous and has always been. Weaving links, preparation of bridges, satisfying other ways of work, is inspiring. It is also based on our public service mission.
Is this a way to pass permanent noise, especially out of social networks?
Our ambition in French culture is to give our listeners our keys to understand the world, society, history, and art, a descent and ahead. It is a promise of French culture with noise of this environmentA number And this probably satisfies the need. Our audience is unique, more than 2 million listeners a day. But social networks are also a great lever to communicate with the young audience. French culture has increased by more than 50% in one year. We are happy.
How to explain this success?
Auditors are looking for benchmarks. They find this to us whether the international news should be translated or on which there are strong expectations. I would like an example. Eloquence known to young adults. Our series podcasts: My word Give the keys to “persuade” the lawyer Marie Dose, or even “announce his flame” with actor Yunes Bawf.
Much concerns subjects, as in a female magazine …
Is a concept concerning him. This should be close to our listeners, the evolution of their expectations, their needs, to listen to the way. We are in the constant movement. In September last year, we created a new program Health notebooks Marina Carreère D’Encausse or Even Sweet France Of Nora Hamad, who tells our territories in their diversity as close to citizens as possible. What could have been more about?
You are careful about different radio uses.
The living antenna remains a place of loyalty, appointments. But we also see the power of digital hearings. French culture is 2t. The most podcasted radio in France. There are many ways to access our content, and we are very careful to use evolution.
We hear a lot that audio can replace reading.
Nothing will replace reading anymore. Different with audio is that we can be together in the sound and movement. The voice accompanies us. I believe in the power of sound with his magicA number
What is the place of artificial intelligence of all this?
Radio France has a cell that reflects on artificial intelligence and its use we have invested. Recently, Sonia Kronlund, who produces the program Feet on the groundHe offered a full episode by the Ministry of Emergency Situations, nourishing the car with thousands of real episodes broadcast in recent years. AI has completed a typical program with real false testimony, as well as reproducing the sound of Sonia Chronlund. This asked us about the hearing agreement, which we have about the right to create and copy our listeners and copies. The conclusion of this experience is that people remain significant, their creative and inspiration.
Can you imagine a day your antennas filled with plans made by AI because Spotify fills its waves with artificially created songs?
I can’t imagine it at all.
Could AI intervene with podcast with louvre.
No I don’t believe. As he meets the art of expertise of the Lord, the Museum’s preservative, the director’s creativity. For example, the portrait of Anne de de Well Diyess, which is painted by Holbea, is falling into history and in the role that this picture could have. You had to find this point of view and learn to find it.
What do you think about another season but you think about making other podcasts with other institutions? Yes, of course, these reflections are based on our public service mission.
And private partners.
Our mission is, of course, to go to public partners, but I think nothing excludes work with private partners. In any case, I do not rule it out, provided that I always start with the editorial project.
(1) Life masterpieces, ten episodes available to France’s culture.
Source: Le Figaro
