Spring-Summer 2025, Michelle Gauttra, has been cooperated for 30 years, has collaborated to Gustav Rudman of the former Musician of the Nastreamian Musician for 30 years. The interview of the cross near the parade exit.
Gustave Rudman was the “NAST” group, but also worked with Kanye West or Week when making such music Euphoria or parades such as balenciaga or alaia. Michelle Gaybert, he takes the soundtracks of Chanel parades for thirty years. The Haute Couture parade of the French house, which was presented at the Great Palayi, was formed and caused by the enveloping and involved in a musical piece. Music and solar music. At the end of the site, they were asked to ask a few questions, to understand how it was born.
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Madame Figaro: How did you start working together?
Michel Gaubert.- For this parade, we encountered by doubted than in November last year. I knew I loved Gustave work a lot. We mentioned the idea of making the original composition with the expectation of the parade decor, which makes up a kind of infinite knot on which the models are parade.
Gustave Rudman: We crossed 3 years ago in Los Angeles and I immediately perceived to work together for this parade as a great honor. I also felt very protected by working with Michel.
What was the initial idea of the composition?
Mg. – Everyone was based on a very poetic idea, infinity. We also talked a lot to this sense of repetitive music. And then there was also the effect from the beginning Bolero From Ravel, who repeats endlessly. We did not want to transform the bolologist, but be inspired by this feeling of music, which continues to rise and leads people who listen to some-time. We also wanted to mix things, sensations.
C-At night, we mentioned that Berlin’s legendary club is like Bergaine from such places. Our music was based on a knot, on this way how to make a bolero today, that is, to take dance elements and include them illustrated in the dream environment. Mix the worlds, energy. Like the collection, another starting point that itself was built in the day and night. It was necessary to meet this, to meet different energy, electronic music and something else.
How did you work?
C- The music was recorded in two months. We listened to individual parts and formed electronic music, restoring elements, as when the dialogue with the studio. Many elements in Budapest have accumulated with 40 musicians and the Symphony Orchestra of the Bath. And this material originated by the main topic of the composition. It was nice time and space to do all this.
Mg- There was a certain amount of comfort to be 100 hours all the time. What I liked immediately, this side was very close to electronic music, but it was reimplied. In our day we often find that we are talking about famous things again. We mix, we deviate, we turn old elements into something new. I am interested in this idea of resuming dance music to think about a boliot.
We also think about modern composers such as Philip glass.
Mg- Yes of course. All this school … The idea was to re-equip something again. That’s what I’m interested in life in general. Familiar with something, but that’s not so much.
There is a link to another Chanel parade.
Mg- Yes, the one we called “Black Jackets’ Parade” in which the models were all in black jackets and reached the decor in front of a wedding cake. 50 girls arrived, landed and removed their coat, revealing plates and embroidered clothes. It was gorgeous. Then we used a piece of German Kreidler Group, had a right ArvanA number of Karl Lagerfeld worshiped modern music, John Wand made such people admired him. We didn’t necessarily want to pay a fee to Carley, but all this is in the history of Chanel. It was important to treat all this.
C- I also thought about the parade in Cuba (2016-17 Cruise Collection, Indication) With a real Joie de Vivre anchored in a lot of man. We wanted positive energy and not to be disapproved of doing something in the sun, against the gloom. Without astrology, I do not forget that Gabriel Shangel was a sign of the lion, so he needed to respond to this energy. And variety of influence. Music takes another way during the bride, it can be close to the movie Black swanA number we play with energies, not only with records over time.
How did you integrate Grand Palis?
C- You need to adjust to space, decor. Abstract music happened before the show as the elements of the dream. Then at the beginning of the parade, things are formed, it’s dawn, awakening, then getting up the day with very bright lines. Like the collection, the music follows Du Soleyil on the tour, when it is 5 to 5.
The collection customizes the music.
Mg- In fact, it is a dialogue. He did not be very accurate, we knew the history and development of the parade. They also played the game to keep their history well, respecting the music. They did not narrow everything at the last moment.
How should Chanel parade music be?
Mg-It can be a lot of things, because there are several different parades, but each time there is a common element, a kind of strength, cinematography. Music should travel to Chanel, give ideas, show images. In Grand Palis, I love music to be large, pour the space, it can’t be too close. We allowed ourselves to a more intimate parade, a piece on the piano, but it was just a passage. Chanel’s music must have greatness.
Source: Le Figaro
